Mania Akbari’s film is dedicated to “all those filmmakers in Iran, who have served a prison sentence and the ones who are still in prison.” A hypnotising exploration of a dissatisfied couple, the film conveys imprisonment in its own aesthetic. Relegated solely to a rural home’s interiors and shot in long, unbroken takes heavy on close-ups, it is a series of electric dialogues between wife, husband, sister and servant over the course of a few weeks, addressing both a specific relationship and the issue of women’s roles in Iran…

Full review for The Skinny