South Africa-set District 9 had a clear apartheid allegory built into its hyper-violent sci-fi stylings, and writer-director Neill Blomkamp’s follow-up film is similarly concerned with social commentary, this time to do with accessible healthcare and immigration. District 9 wasn’t subtle, but the solemn Elysium is even more thinly veiled and oppressive with its socialist slant; it also proves a much weaker film overall…
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