The Hallow (Corin Hardy, 2015)

Outside of the Leprechaun series, Irish mythology has been rather underserved by genre-inclined filmmakers. With his debut feature, backwoods horror The Hallow, director and co-writer Corin Hardy goes some way to trying to rectify this, even if the end result isn’t completely successful, nor as psychologically resonant as the best of legends…

Full review for Little White Lies


Saoirse Ronan on ‘Brooklyn’, family & musicals

“Oh God, I do really love Singin’ in the Rain. I loved Gene Kelly so much, and I loved watching him perform.”

The Skinny is chatting with Saoirse Ronan just a few hours before her new film, Brooklyn, has a red carpet launch for its European premiere at this year’s London Film Festival, and we’ve broached the topic of favourite movies from the era of the film’s 1950s setting. “What else did I love?” she continues. “I loved anything with Bette Davis. She was terrific. Maybe that was more late 40s, but she worked into the 50s as well. All About Eve would be 50s and I love All About Eve.”

The question is inspired by Ronan’s character in the film, who goes to see the aforementioned Kelly musical, swoons over Gary Cooper with a friend, and has a conversation about John Ford’s The Quiet Man, released in 1952, the year of Brooklyn’s setting…

Full interview for The Skinny

Brooklyn (John Crowley, 2015)

Adapted from Colm Tóibín’s beloved novel, Brooklyn is a refreshingly old-fashioned melodrama with depths that transcend its initial lightweight-looking tearjerker packaging…

Full review for The Skinny