As a follow-up to The Yellow Sea and The Chaser, it should come as little surprise that Na Hong-jin’s The Wailing is a slippery beast to define, opening as one thing and ending as something completely different, while also becoming several very different things on the road there. It is a furiously weird and inventive film, and thanks to those qualities being stretched over a two-and-a-half-hour-plus runtime, it’s also something of an exhausting journey. But the bonkers ride is definitely worth it…
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