Sundance London: A Snapshot of American Independent Cinema in 2017

Returning for its fifth instalment (and second in a row at the lavish Picturehouse Central), the team behind this year’s Sundance London gave British audiences a flavour of the American indie scene of 2017. As well as bringing together UK, European or international premieres of various buzzy titles that made their initial bow at the main Sundance Film Festival back in January, this year also offered big screen revivals of some past Sundance premieres of note (Steven Soderbergh’s Sex, Lies and Videotape among them) and the first instance of a surprise film (Patti Cake$, out on general release this autumn), as well as the usual shorts programme and filmmaker talks.

This year’s main lineup was a mixed bag quality-wise, and it certainly didn’t look great that only one of the 14 premiering features (Marianna Palka’s Bitch) was directed by a woman – last year had three, including closing film Tallulah. That said, the strongest titles were very strong, and there was definitely variety to the stories and filmmaking styles on display. The Skinny caught the vast majority of this year’s feature lineup, so here’s an unranked top five of some of the most notable or distinctive films on offer, some of which will be arriving in UK cinemas or on services like Netflix and Amazon Prime soon…

Full festival report for The Skinny

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