American Gods’ difficult sophomore season concluded better than it began, with its melancholic Mad Sweeney-focused penultimate instalment being the best of the whole eight-episode run. It was also the only episode that was wholly satisfying in terms of atmosphere, direction, story, character development and performance working together towards a coherent vision – or as coherent as American Gods, which now regularly seems to be opaque just for the sake of being opaque, can be…
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