Mary Harron on ‘Charlie Says’: ‘It’s taking a very famous story and doing it from an unexpected perspective’

2019 marks the 50th anniversary of the Manson Family Murders in Los Angeles, so it’s hardly surprising there’s a new film focused on the events surrounding the killings. Coming from Mary Harron and penned by her American Psycho collaborator Guinevere Turner, Charlie Says, however, offers a corrective of sorts to common portrayals of Charles Manson and his followers in film and television…

Full interview for The List

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The Vast of Night (Andrew Patterson, 2019)

Andrew Patterson’s incredible debut feature The Vast of Night feels like a spiritual successor to Steven Spielberg’s Close Encounters of the Third Kind. Set over the course of a single night in late 1950s New Mexico, it follows radio presenter Everett (Jake Horowitz) and switchboard operator Fay (Sierra McCormick), who begin to suspect that strange things are afoot when mysterious sounds disrupt lines and broadcasts. With the aid of callers describing sightings of UFOs, they embark on a scavenger hunt of sorts to get to the bottom of the town’s apparent alien activity…

Full review for Little White Lies

Harry Wootliff and stars on Glasgow drama ‘Only You’

Take the captivating Spanish lead (Laia Costa) of the single-take German wonder Victoria, the breakout star of God’s Own Country (Josh O’Connor), and a BAFTA-nominated writer-director of acclaimed shorts (Harry Wootliff), and you have Only You, a romantic drama that makes some of the most vibrant use of Glasgow as a cinematic setting in recent memory.

Following a shared taxi-based meet cute, Elena and Jake start a passionate relationship that turns into something long-term. Ominous signs are afloat, though. Elena, nearing 40 and nine years older than Jake, is insecure about her age, and their romance struggles under pressure to have kids. Complications with conceiving and the ordeal of fertility treatments don’t always get the most nuanced explorations onscreen, if they’re depicted in depth at all, but Wootliff’s film is an intimate and touching exploration of an issue sometimes still considered taboo.

Ahead of Only You’s world premiere at last year’s London Film Festival, Wootliff and her stars spoke to us about their drama…

Full interview for The Skinny

The great Leonard Cohen moments in film

With Nick Broomfield’s documentary Marianne & Leonard: Words of Love, an in-depth look at the relationship between Leonard Cohen and muse Marianne Ihlen, playing at the Edinburgh International Film Festival this month and on general release in July, we thought it an appropriate time to highlight some of our favourite Cohen needle drops in cinema.

Whether with his own voice or through cover versions, many films and TV shows have made stirring use of Cohen’s music, though there is no instance in which the songs in question were written with the intention of featuring in that movie or episode.

For inclusion in the small selection below, we’ve stuck to the following criteria: feature films only, one entry per song, and Cohen recordings only, not covers of his work…

Full feature for The Skinny

10 to see at the 2019 Edinburgh International Film Festival

The Edinburgh International Film Festival, the world’s longest continuously-running film festival and now in its 73rd year, runs between 19 and 30 June. It opens with the European premiere of Boyz in the Wood (2019), which is not a tribute to the late John Singleton but rather a dark, folk horror-influenced comedy set in the Scottish Highlands, from writer-director Ninian Doff. The world premiere of Mrs. Lowry & Son (2019) closes the festival: Adrian Noble’s light-hearted biopic of L.S. Lowry (Timothy Spall) portrays the painter long before he was established as one of the 20th century’s greatest artists, devoted to but frustrated with his bitter mother, Elizabeth (Vanessa Redgrave).

Beyond the bookend galas, there are many premieres (including world-first screenings of 18 features), discoveries and retrospectives of note. Here are 10 highlights from the packed programme…

Full feature for the BFI