‘Judy & Punch’: Mirrah Foulkes gives the puppet-show a 21st-century twist

“I feel like it changes all the time. You’d think I’d have a roll-off-the-tongue synopsis by now, wouldn’t you?”

Australian writer-director Mirrah Foulkes has just been asked how she’s describing her tonally peculiar debut feature, Judy & Punch, not long before its bow in UK cinemas nationwide. “I guess I’m describing it as a dark and twisted 17th-century fable about puppeteers that’s very unexpected and hopefully not like anything you’ve seen before. I was really excited by the boldness of it.”

Judy & Punch doesn’t draw much from the historical origins of the traditional Punch and Judy puppet show, with Foulkes instead using the narrative of the show as a point of departure for a new tale, one re-imagining what might happen if Punch’s wife Judy were to not take his violent impulses in quite so submissive a fashion…

Full interview for the BFI

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