Rose Island (Sydney Sibilia, 2020)

Relatively early in 2020, one video game became a phenomenon as Nintendo Switch players looked to simulate some sort of structured existence in the context of quarantine. Animal Crossing: New Horizons sees your customisable character move to a deserted island, decorating the place and developing it into a community of anthropomorphic animal residents. Selling the most units of any title in 2020, it has already cracked the top 30 list of the best-selling video games of all time.

All the specific factors for Animal Crossing’s success would merit a deep-dive article, but one thing appears clear: with the world in the grip of a pandemic, vaguely whimsical explorations of forming start-up communities during a period of global unrest are hot right now. By sheer luck of timing, Sydney Sibilia’s Rose Island, based on the real-life story of an island being created and bringing people together, looks set to capitalise on this…

Full review for Little White Lies

Murder Me, Monster (Alejandro Fadel, 2018)

Appreciators of Amat Escalante’s The Untamed and Carlos Reygadas’ Post Tenebras Lux – Latin American social dramas that toy with horror to varying degrees – may find a new work to admire in Murder Me, Monster from writer/director Alejandro Fadel. It’s a Spanish-language international co-production set around the Andes Mountains, and features a similar fusion of libidinal imagery and arguably Lovecraftian terror to that of Escalante’s film, in particular…

Full review for Little White Lies