Category Archives: HUCK

The Sundance breakout taking on gentrification

Winner of two awards at this year’s Sundance Film Festival, The Last Black Man in San Francisco is stylistically bold and dryly funny – a soulful tale of friendship, gentrification and solitude, set in the titular city.

Jimmie Fails – who shares a writing credit with Rob Richert and Joe Talbot, the film’s director – plays himself in a narrative partly informed by his own experiences. The film sees the onscreen Jimmie, close friend Montgomery (Jonathan Majors) at his side, searching for home and belonging in a rundown part of SF.

An opportunity presents itself over in the Fillmore District when a Victorian-style house reportedly built by Jimmie’s grandfather is abruptly vacated by the current occupants in the now predominantly white neighbourhood. Jimmie sees a chance to reclaim the house, and all it represents to him – by any creative means necessary.

Huck spoke to Fails and Talbot at the Locarno Film Festival in Switzerland, where their film played outside of North America for the first time…

Full interview for Huck

Filmmaker Lulu Wang talks laughing through the tears

When Lulu Wang’s The Farewell premiered at this year’s Sundance Film Festival in January, the praise was near-unanimous. A tragicomic drama rooted in its writer-director’s own real-life experiences, it begins with the words: “Based on an actual lie.”

The film sees a young Chinese-American woman, Billi (Awkwafina), return to China when her beloved grandmother, Nai Nai (Shuzhen Zhao), is given a terminal diagnosis. There, she struggles with her family’s decision to keep Grandma in the dark about what’s happening, while they promptly schedule a wedding for Billi’s cousin – so that everyone can be together one final time before Nai Nai’s imminent deterioration.

While keeping loved ones unaware of their serious illnesses is apparently common practice in China, doing so presents difficulties for Billi when it comes to making sense of her grief. Although born in China, she moved to the United States with her parents when she was still very young; with this ‘lie’, the cultural divide is laid bare…

Full interview for HUCK

Ray & Liz: an exploration of family life in Thatcher’s Britain

In Ray & Liz, artist and photographer Richard Billingham makes his feature debut as a writer-director. A vignette-based portrait about a family falling apart, it’s inspired by his own childhood growing up in the Thatcher-era West Midlands.

It’s a period that he documented in the photo project that first brought him fame in the late ’90s. Titled Ray’s a Laugh, the series featured striking images of his parents (the titular Ray and Liz) as well as younger brother Jason, often in scenes of squalor reflecting the deprivation and isolation in which Billingham grew up. The film, however – which has since been nominated for a BAFTA  – goes even deeper.

“A film I was very interested in is The Terence Davies Trilogy [1983], which I saw in my 20s. A lot of that was shot from lived experience,” he explains…

Full interview for HUCK

Lola Kirke: ‘As a woman, I felt uncomfortable with my libido’

Lola Kirke is perched at the table of an east London restaurant, surrounded by the remnants of scones. Though enthusiastic and engaging in conversation, the 28-year-old actor and musician is prone to getting distracted: on this occasion, it’s a fellow customer wearing a beret with the term ‘Solidarity’ on it that has interrupted her train of thought. “I think that’s hysterical,” she says, genuinely delighted…

Full interview for HUCK

The strange story of Orson Welles’ final years

Intended as the director’s magnum opus, Orson Welles’ The Other Side of the Wind is one of the most famous films never to be completed. Or, at least it was.

Thanks to the efforts of various parties over the years (and a hefty cash injection from Netflix to get the existing footage out of rights limbo), a full version of the film – which tells the story of an ageing director struggling to revive his career – has finally been finished. After a wait of more than 40 years, it will be available on the streaming service from 2 November.

In conjunction, Netflix are releasing a feature-length documentary on the very same day, which covers the decade prior to Welles’ death in 1985. Titled They’ll Love Me When I’m Dead, it follows the late filmmaker as he struggles to get The Other Side of the Wind made…

Full interview for HUCK