Category Archives: Interviews

Wildfire: Cathy Brady and Nora-Jane Noone on their Irish border drama

The title of Cathy Brady’s debut feature, Wildfire, references how rumours and malice spread, but also the intensity of potential damage once a dangerous spark is lit.

Inseparable sisters raised in a small town on the Irish border, Lauren and Kelly faced a devastating loss as children with the mysterious death of their mother, their father having also previously perished in a fatal bombing. Now adults, their bond is about to intensify further as the spectre of mental illness that surrounded their late mother remains thick in the air, thanks to town gossip that’s never really faded. 

After a year of being missing, presumed dead, Kelly (Nika McGuigan, who sadly died at 33 from cancer during post-production) returns to Northern Ireland amid Brexit border uncertainties on the news. Her own erratic and distressing behaviour chips away at the façade of normality that Lauren (Nora-Jane Noone) is barely maintaining.

Talking to us ahead of the film’s UK and Irish release, writer-director Brady and star Noone discuss the unique way in which their drama came together…

Full interview for the BFI

“I Feel Completely Vindicated Now the Film’s Been Made”: Michael Caton-Jones on Our Ladies’s 20+-Year Journey to the Screen

Things were going well for Scottish filmmaker Michael Caton-Jones at the start of 2020. The director of Scandal (1989), This Boys Life (1993) and Rob Roy (1995), among many others, Caton-Jones was preparing for the theatrical release of Our Ladies, a passion project he’d been trying to get made for over 20 years. It had received its world premiere at the BFI London Film Festival in October 2019, where it “played out of this world”, in his words, to an audience of roughly 800 attendees in its first public screening. Flying relatively under the radar in a stacked program largely comprised of Cannes, TIFF and Venice titles, Our Ladies received strong early notices from big publications that did cover it from the festival, including a rave write-up from Sight & Sound and a five-star review from The Times. Following a Scottish premiere for the comedic drama at the Glasgow Film Festival in late February, the movie was scheduled for a saturation release at the end of April.

And then most of the world’s theaters closed indefinitely…

Full interview for Filmmaker

Tallulah Greive: ‘Working-class women aren’t homogeneous’

Having been delayed for almost two years by the pandemic, Michael Caton-Jones’ Our Ladies, adapted from Alan Warner’s 1998 novel ‘The Sopranos’, finally arrives in UK cinemas this month. Set in 1996, the film follows six 17-year-old Catholic schoolgirls from the Highlands who head to Edinburgh for a choir competition, only to get caught up in debauchery.

At the story’s centre are five working-class friends, alongside derided posh girl Kay (Eve Austin): there’s closeted group leader Fionnula (Abigail Lawrie), her childhood bestie Manda (Sally Messham), punk singer Kylah (Marli Siu), islander Chell (Rona Morison), and Orla, who is in recovery from leukemia and hoping the Lord’s Prayer will now help her lose her virginity. Orla, also the film’s narrator, is played by Australian-born, Edinburgh-raised actor Tallulah Greive in her first feature film credit…

Full interview for Little White Lies

Absolute Denial: Ryan Braund on his indie animation

Some filmmakers have been very productive during the COVID era. Ben Wheatley (In the Earth) and Doug Liman (Locked Down), to name just two, have directed and already released films that first came to screenplay fruition relatively early on during the pandemic. But few can claim to have knocked out an entire feature-length animation, the majority of which was made after the UK went into its first lockdown period. And probably even fewer can say they not only directed and wrote such a film, but that they were also the sole animator. And that it was their debut feature.

Sheffield-based filmmaker Ryan Braund can, though. Absolute Denial, which receives its UK premiere at this year’s Edinburgh International Film Festival, is a vaguely cyberpunk, black-and-white independent animation he was loosely working on in late 2019 in terms of scripting and general feelers, before properly throwing himself into its making in January 2020…

Full interview for The Skinny

Moomin-mania: Alma Pöysti on playing Tove Jansson

With Tove, a film about (part of) the life of Swedish-speaking Finnish multi-hyphenate Tove Jansson, director Zaida Bergroth and the film’s remarkable leading actor, Alma Pöysti, had an unenviable task: doing justice to a gargantuan popular culture icon in Finland and Sweden. Her Moomins books, in particular, have made her globally renowned, often in countries where the details of her fascinating personal life are perhaps not as well known…

Full interview for Curzon Journal

Ben Wheatley on pandemic-shot horror ‘In the Earth’

“We were the first people back and – whether it’s true or not – we really felt like the eyes of production were on us across the board.”

Writer-director Ben Wheatley is speaking to The Skinny over Zoom about In the Earth, the horror feature he wrote during the first few weeks of the COVID pandemic and shot with a small crew over 15 days in the early summer, as the UK came out of its initial lockdown period.

While Hollywood blockbusters with hired studio spaces – such as Jurassic World: Dominion – were able to resume shooting in the UK last summer after they had to hit pause, In the Earth was among the very first low budget productions to get going in late June 2020. And being first off the blocks had its pressures…

Full interview for The Skinny

The Legend Of The Stardust Brothers: Stardust Melodies

Originally published as a print-exclusive in SciFiNow #167, in January 2020

In 1985, a legend was born. Except, in the western world, it’s a legend you never encountered. And, to be fair, it wasn’t encountered much in the eastern world where it originated. 

Released in Japan that year, The Legend Of The Stardust Brothers is a terrific musical comedy, with horror and sci-fi trappings, that premiered to not-so-terrific critical notices and box office, seeing virtually no release outside of East Asia. In the 30-plus years since, the film has developed a cult following, to the extent that its writer-director was able to make a semi-sequel, The Brand New Legend Of The Stardust Brothers, in 2016. Thanks to the efforts of distributor Third Window Films, the original Legend is premiering on UK home media in a dual format, region-free Blu-ray and DVD set, having undergone a full restoration.

Director Macoto Tezka has gone on to a career of further live-action films, animation and teaching, but in 1985, he was primarily known for being the son of Osamu Tezuka, the man considered the Japanese equivalent to Walt Disney. Tezuka’s best known manga series include Astro Boy, Black Jack and Kimba The White Lion

Full interview for SciFiNow

Joe Dante: Master of Mischief

Originally published as a print-exclusive in SciFiNow #149, in August 2018

While his traditional feature film output has dwindled this century, Joe Dante still remains one of the most interesting American figures working in predominantly genre-based cinema. His films are rife with expressions of all-devouring cinephilia, which also comes through in his collaborative web series Trailers From Hell.

During his UK visit for the Edinburgh International Film Festival back in 2018, we spoke to Dante about projects old and new, and the state of modern mainstream genre films…

Full interview for SciFiNow

I can remember it for you wholesale: The making of ‘Total Recall’, 30 years on

Total Recall was one of my favourite experiences. When was it released? 30 goddamn years, my god.”

Michael Ironside may not immediately remember just how long ago it was that Total Recall was released, but few have been able to forget Paul Verhoeven’s slippery sci-fi action blockbuster since it came out in 1990, nor his memorably intense performance as Richter. The primary heavy in this adaptation of Philip K. Dick’s short story ‘We Can Remember It for You Wholesale’, Richter is in constant pursuit of amnesiac protagonist Quaid (Arnold Schwarzenegger) across both Earth and Mars, leaving a trail of devastation in his wake.

One of Canada’s most prolific actors, with more than 260 screen credits to his name, Ironside is perhaps best known to a certain generation for various antagonist and authority figure roles in fondly remembered films from the 1980s and 90s, including Verhoeven reunion Starship Troopers (1997), Tony Scott’s Top Gun (1986), David Cronenberg’s Scanners (1981) and Charles Burnett’s The Glass Shield (1994). 

Ahead of the release of a new 4K restoration of Total Recall, Ironside spoke to us via Zoom about both Verhoeven collaborations; his own lifelong affinity for science fiction; the on-set experience of making one of the last massive-budget movies based around mostly practical special effects; and how he thinks Cronenberg’s scrapped adaptation of the story might have turned out…

Full interview for the BFI