Category Archives: Reviews

The Ciambra (Jonas Carpignano, 2017)

Director Jonas Carpignano broke through on the festival circuit in 2015 with Mediterranea, a tale of two refugees making their way from Africa to southern Italy. He returns to the latter environment with follow-up feature The Ciambra, an expansion of a 2014 short, which attempts to present a portrait of another marginalised group with a similar degree of verisimilitude: in this case, a small Romani community in the Italian region of Calabria…

Full review for Little White Lies

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L’amant double (François Ozon, 2017)

Loosely adapted from a Joyce Carol Oates novel, L’Amant Double sees director François Ozon return to his enfant terrible mode after a couple of relatively more prestigious films, such as Frantz. This involves a reunion with his Jeune et Jolie (Young & Beautiful) star Marine Vacth and making one of his new film’s very first shots take place within her character’s genitalia. Why, yes, this is a very restrained motion picture…

Full review for VODzilla.co

Jeune femme (Léonor Serraille, 2017)

A ball of fire with a mane of fiery red hair, Paula (Laetitia Dosch) begins Jeune Femme by knocking herself out against the door of the Parisian apartment of her now ex-boyfriend. But a blow to the head and a stop at a hospital won’t see an end to this night’s outbursts, as she’s soon back on the street outside her former home to begin another fruitless screaming match through a building buzzer and up at a window above. All she reaps from this is the kidnapping of her ex’s cat and the brief acceptance of defeat – it’s basically the only defeat she accepts in the film…

Full review for VODzilla.co

The Cured (David Freyne, 2017)

The Cured, the debut feature from writer-director David Freyne, is a horror film that doesn’t end as well as it starts. But it does start very well, in part, because it’s blessed by a killer premise…

Full review for VODzilla.co

Lost in Space (Stephen Hopkins, 1998)

In April 1998, Lost in Space was the movie to finally end Titanic’s 15-week-long hold on the first-place position at the US box office. 20 years on from its theatrical release, the most enduring cultural impact of this wannabe blockbuster take on the TV series is as a footnote in the story of another film. Is this lack of a substantial legacy fair? With a new Netflix series reviving the Lost in Space brand, does the 1998 version deserve a second look? Is it due a reappraisal and cult following?

In short: no…

Full review for VODzilla.co

Ghost Stories (Jeremy Dyson/Andy Nyman, 2017)

Horror anthologies are tricky beasts. For every terrifying tale in a trilogy of terror, there’s often a dud or two to spoil the cumulative experience. Less in the vein of V/H/S and more in the spirit(s) of Dead of Night, Jeremy Dyson and Andy Nyman’s Ghost Stories bucks the usual curse in maintaining solid scares throughout…

Full review for The Skinny

The Beguiled (Sofia Coppola, 2017)

Thomas P. Cullinan’s 1966 Southern Gothic novel A Painted Devil was previously brought to the screen, under the title of The Beguiled, by director Don Siegel in 1971. An American Civil War-set tale of an injured union soldier taking refuge in a Virginian girls’ school, Siegel’s version was led by regular collaborator Clint Eastwood. For Sofia Coppola’s stab at the material, although Colin Farrell is top-billed as the stranger sowing seeds of mistrust, things are determinedly more female-focused…

Full review for VODzilla.co