Category Archives: Sight & Sound

Too Late to Die Young (Dominga Sotomayor, 2018)

Recipient of this year’s Leopard for Best Direction in the International Competition at Locarno, Too Late to Die Young is not Dominga Sotomayor’s first feature since her debut breakthrough Thursday Till Sunday (2012), as the 58-minute Mar (2014) premiered in between. It does, however, feel like a direct continuation of that first feature’s preoccupation with the implications of parents’ life-altering decisions upon the children they take along for the ride. In Thursday Till Sunday, a road trip was the backdrop for a story of a teen discovering her parents may be separating, while Too Late to Die Young, which opens with another car journey, is concerned with multiple children being uprooted…

Full review for Sight & Sound

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Local Heroes: new Scottish features at Edinburgh 2018

Before launching its full programme, the 72nd Edinburgh International Film Festival announced the films in the lineup with notable Scottish connections. It’s standard practice for this festival, presumably tied to obligations to sponsors such as Creative Scotland, to give the slate of local productions a profile-boost before breaking out the international big guns.

Of late, this tease has proved more foreboding than enticing. With a few exceptions (such as Peter Strickland’s Berberian Sound Studio), the quality of British features receiving their world premiere at the festival in recent years has been especially patchy, and a number of the particularly dire ones have, in my experience, been those with a local connection. Romantic comedy Scottish Mussel (2015) may still be the worst feature I’ve seen at any film festival.

This year’s Scots-focused preview looked more promising, however, both for the world premieres as well as titles accruing buzz from festivals abroad. Despite the odd dud, the quality, variety and, in some cases, ambition of the features under the broad banner of Scottish filmmaking proved reflective of the state of this year’s programme as a whole…

Full feature for Sight & Sound

Best from the West: three new Scottish features at Glasgow Film Festival 2018

This year’s Glasgow Film Festival was hit by an unprecedented series of setbacks, largely thanks to the combined efforts of Storm Emma and the cold wave dubbed the ‘Beast from the East’. Across three days in its second week, dozens of screenings and events were cancelled due to snow-related safety risks, while much of the talent scheduled to appear, as well as attendees not staying in Glasgow, were unable to reach the city…

Full feature for Sight & Sound