Review: Still/Born (Brandon Christensen, 2017)

The subgenre of maternal horror gets a solid new entry from Canada in the form of Still/Born, the confident feature debut of director Brandon Christensen. There’s not a lot of innovation on display in its story (a dash of Rosemary’s Baby here, a pinch of The Babadook there), but there’s enough merit in the filmmaking… Read More Review: Still/Born (Brandon Christensen, 2017)

Why you need to see ‘Your Name’ in IMAX and the potential for more IMAX animation

By now, most sci-fi fans with even a cursory interest in animation will be aware of Your Name, director Makoto Shinkai’s body swap/time travel dramedy – think Freaky Friday meets Back To The Future – that became a global hit last year. At the time of writing, its worldwide gross is at over 355 million in US dollars, over $235… Read More Why you need to see ‘Your Name’ in IMAX and the potential for more IMAX animation

Review: Napping Princess (Kenji Kamiyama, 2017)

The filmography of writer-director Kenji Kamiyama is rife with updates of beloved anime or manga properties, most notably a TV expansion of Ghost in the Shell. What characterises most of his visions is a penchant for political commentary, which is a tad less prominent in his latest project, Napping Princess, a more straightforward fantasy adventure with some… Read More Review: Napping Princess (Kenji Kamiyama, 2017)

Interview: David Lowery on ‘A Ghost Story’, life after death and loving ‘Under the Skin’

David Lowery’s A Ghost Story is quite unlike most spectre-based tales you’ll have seen onscreen. For one thing, while there’s definitely haunting going on, it’s no horror film. Told in a series of slow-going sustained takes, it starts off as a tender romance before taking on paranormal qualities, eventually veering into sci-fi territory best left… Read More Interview: David Lowery on ‘A Ghost Story’, life after death and loving ‘Under the Skin’

Review: Detroit (Kathryn Bigelow, 2017)

With the same you-are-there handheld aesthetic that characterised her Zero Dark Thirty and The Hurt Locker, the opening of Kathryn Bigelow’s Detroit – following a brief animated prologue that contextualises Motor City’s racial tensions – gives viewers a reconstruction of the event of overzealous police violence that kicked off days of rioting in the eponymous city in 1967. One of the most… Read More Review: Detroit (Kathryn Bigelow, 2017)

Review: A Ghost Story (David Lowery, 2017)

Following his breakthrough feature in 2013, the (sorta) neo-Western Ain’t Them Bodies Saints, director David Lowery took an unexpected career turn in helming a – very good – remake of Disney’s Pete’s Dragon last year. His next move after that is somehow even stranger. A Ghost Story confirms him as one of the trickier rising star American filmmakers to get… Read More Review: A Ghost Story (David Lowery, 2017)