Why I love Nicolas Cage’s performance in ‘Bringing Out the Dead’

Released in 1999 to generally positive reviews but a poor box office, Bringing Out the Dead remains one of Martin Scorsese’s most overlooked films. His fourth collaboration with screenwriter Paul Schrader (here adapting a novel by Joe Connelly) acts as a fusion of the pair’s earlier efforts Taxi Driver and The Last Temptation of Christ. It is a frequently horrific odyssey through nocturnal New York, tinged with a desperate grasp at grace from a man teetering on the line between life and whatever lies beyond.

Instead of Christ, though, Bringing Out the Dead’s hero is Frank Pierce, a graveyard shift paramedic played by Nicolas Cage, an actor who probably qualifies as a deity to certain subsets of online fandom. The film follows Frank over three consecutive nights, at a point where he’s not managed to save any dying patients for months. During these hectic nights, he befriends the daughter (Patricia Arquette) of a heart attack victim he’s brought in and works in a two-man ambulance team with a slew of different partners, each as unhinged as him but in their own ways…

Full feature for Little White Lies

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Jupiter’s Moon (Kornél Mundruczó, 2017)

Hungarian director Kornél Mundruczó made a bold breakthrough on the arthouse circuit with 2014’s White God, which concerned a mistreated dog leading a canine uprising. With Jupiter’s Moon, he’s back with another high-concept story and back in social allegory mode…

Full review for SciFiNow

Brigsby Bear (Dave McCary, 2017)

This is the story of an emotionally stunted thirtysomething who can only conceptualise the world around him through cultural iconography, which might make it sound like it’s a serious work about a film critic. Instead, it’s an off-kilter, open-hearted comedy…

Full review for Little White Lies