Tag Archives: Anniversary

I can remember it for you wholesale: The making of ‘Total Recall’, 30 years on

Total Recall was one of my favourite experiences. When was it released? 30 goddamn years, my god.”

Michael Ironside may not immediately remember just how long ago it was that Total Recall was released, but few have been able to forget Paul Verhoeven’s slippery sci-fi action blockbuster since it came out in 1990, nor his memorably intense performance as Richter. The primary heavy in this adaptation of Philip K. Dick’s short story ‘We Can Remember It for You Wholesale’, Richter is in constant pursuit of amnesiac protagonist Quaid (Arnold Schwarzenegger) across both Earth and Mars, leaving a trail of devastation in his wake.

One of Canada’s most prolific actors, with more than 260 screen credits to his name, Ironside is perhaps best known to a certain generation for various antagonist and authority figure roles in fondly remembered films from the 1980s and 90s, including Verhoeven reunion Starship Troopers (1997), Tony Scott’s Top Gun (1986), David Cronenberg’s Scanners (1981) and Charles Burnett’s The Glass Shield (1994). 

Ahead of the release of a new 4K restoration of Total Recall, Ironside spoke to us via Zoom about both Verhoeven collaborations; his own lifelong affinity for science fiction; the on-set experience of making one of the last massive-budget movies based around mostly practical special effects; and how he thinks Cronenberg’s scrapped adaptation of the story might have turned out…

Full interview for the BFI

Atom Egoyan: How we made ‘Exotica’ – 25th anniversary

Misleadingly marketed as an erotic thriller by Miramax, Exotica proved a notable box-office success for a Canadian film when it was released a quarter of a century ago. It was a commercial breakthrough for its Cairo-born writer-director Atom Egoyan, following well-regarded arthouse titles such as Speaking Parts (1989) and The Adjuster (1991). Nominated for the Palme d’Or at Cannes and recipient of eight Genie awards (Canada’s equivalent of the Oscars), Egoyan’s film remains one of Canadian cinema’s most enduring and influential titles, and – along with The Sweet Hereafter (1997) – the director’s most highly regarded feature.

Set primarily around the fictional Exotica strip club in Toronto, the non-linear narrative – in which Egoyan withholds many of the specifics of characters’ relationships until the very end – concerns the intertwining lives of Francis (Bruce Greenwood), a tax auditor; Christina (Mia Kirshner), a young dancer; Eric (Elias Koteas), the club’s DJ; Thomas (Don McKellar), a pet shop owner; and Zoe (Arsinée Khanjian), the club’s pregnant owner.

Exotica is largely about loss, mourning and the effects they have on human connections; how people’s attempts to cope with extreme, often concealed grief manifest in outwardly disturbing personal rituals. The final scenes are among the most emotionally cathartic of 1990s cinema, drastically reconfiguring your understanding of previous events, while also opening up many unsettling questions. Far from a shallow puzzle narrative, the film’s power only grows with repeat viewings.

With 2019 marking the film’s 25th anniversary, I spoke to Atom Egoyan about Exotica’s production and legacy while he was at this year’s BFI London Film Festival to give a career talk and support his new film, Guest of Honour. Our conversation spoils one narrative reveal from Exotica’s finale…

Full interview for the BFI