Tag Archives: Anya Taylor-Joy

The Northman (Robert Eggers, 2022)

With The Witch and The Lighthouse, writer-director Robert Eggers emerged as a distinctive voice in American independent film. They are surrealistic nightmares set in America of centuries past, in which small groups try surviving encroaching supernatural threats that may well be hallucinations encouraged by harsh surroundings. Their environments are brought to life with an exquisite sense of historical detail and period-accurate language.

In light of this, that Eggers’ third feature, The Northman, is a big studio-backed, sprawling Europe-set epic that can plausibly, and not inaccurately, be marketed as an action movie might raise red flags for those concerned his voice could be lost – budget-wise, it’s closer to a Morbius than The Witch. But praise the Norse gods, for not only is The Northman an exhilarating revenge saga that outdoes most modern blockbusters when it comes to action sequence staging and immersive sound design, but Eggers’ penchant for the strange remains fully intact…

Full review for SciFiNow

Thoroughbreds (Cory Finley, 2017)

A muscular debut from writer-director Cory Finley, Thoroughbreds is a sharp social satire that blends dark comedy with quasi-horror flourishes, while also serving a portrait of female friendship that’s strangely touching. It’s like if American Psycho and Heavenly Creatures had a beautiful sociopath child…

Full review for The Skinny

Barry (Vikram Gandhi, 2016)

Vikram Gandhi’s Barry is 2016’s second biopic about the (at the time of writing) current American President, after the Barack-Michelle first-date movie Southside with You, and it is similarly concerned with honing in on a specific short period of Obama’s life, using it as a means of examining how this time informed a path the man would later take, rather than attempting to tell an entire life’s story. It’s a completely different approach to Oliver Stone’s W., which was another film about a US President to debut at the tail-end of their tenure in the White House. While that messy chronicle suggested a veteran filmmaker having lost his game just a tad, Barry, as Gandhi’s non-documentary feature debut, suggests a promising new voice in American cinema…

Full review for VODzilla.co