Tag Archives: BFI

Wildfire: Cathy Brady and Nora-Jane Noone on their Irish border drama

The title of Cathy Brady’s debut feature, Wildfire, references how rumours and malice spread, but also the intensity of potential damage once a dangerous spark is lit.

Inseparable sisters raised in a small town on the Irish border, Lauren and Kelly faced a devastating loss as children with the mysterious death of their mother, their father having also previously perished in a fatal bombing. Now adults, their bond is about to intensify further as the spectre of mental illness that surrounded their late mother remains thick in the air, thanks to town gossip that’s never really faded. 

After a year of being missing, presumed dead, Kelly (Nika McGuigan, who sadly died at 33 from cancer during post-production) returns to Northern Ireland amid Brexit border uncertainties on the news. Her own erratic and distressing behaviour chips away at the façade of normality that Lauren (Nora-Jane Noone) is barely maintaining.

Talking to us ahead of the film’s UK and Irish release, writer-director Brady and star Noone discuss the unique way in which their drama came together…

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10 to see at the Edinburgh Film Festival 2021

Moving, for the time being, from June to late August, this year’s Edinburgh International Film Festival is also a shorter edition than in pre-pandemic times – a week-long affair running from 18 to 25 August.

As with last autumn’s BFI London Film Festival, EIFF will also be a locally physical and nationally digital hybrid. Unlike that first coronavirus-era edition of LFF, though, every feature programmed is scheduled for at least one theatrical screening at Edinburgh’s Filmhouse or Festival Theatre, with some getting two to three. For those outside of the Scottish capital, most – though not all – of the line-up will also be available to rent digitally through Filmhouse at Home…

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10 great horror sequels

One is the loneliest number in the world of horror movies. As cinemas welcome A Quiet Place Part II, we celebrate some of the best first sequels…

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10 great debut films by music video directors

From David Fincher to Jonathan Glazer, some of the most acclaimed modern directors began their careers making music videos. Here’s what their first films looked like…

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What to watch at the Glasgow Film Festival 2021

Last year’s Glasgow Film Festival was one of the final film festivals in the world to proceed as planned as an in-person event, concluding just 3 days before the World Health Organization declared the outbreak of COVID-19 a pandemic. In the 11 months since, British film festivals have shifted to largely online models, with some physical cinema arrangements depending on their timing in relation to eased restrictions. 

GFF 2021 – taking place from 24 February to 7 March – was planned to be a locally physical and nationally digital hybrid in the spirit of last October’s London Film Festival. In light of current lockdown measures that hasn’t been possible, yet Glasgow’s now fully online programme remains an exciting prospect. The selection may be much smaller in quantity compared with a traditional edition, but the quality in the curation is still there in spades…

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Where to stream the best Scottish films

From homegrown filmmakers who’ve gone on to international acclaim to features that make evocative use of its towns, cities, communities and landscapes, Scotland’s cinematic output has always been particularly rich. Excluding movies that you can currently only watch digitally by renting or buying them (sorry to The Wicker Man, Whisky Galore! and most of Bill Forsyth’s efforts), here are some of the best Scottish films you can stream right now…

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I can remember it for you wholesale: The making of ‘Total Recall’, 30 years on

Total Recall was one of my favourite experiences. When was it released? 30 goddamn years, my god.”

Michael Ironside may not immediately remember just how long ago it was that Total Recall was released, but few have been able to forget Paul Verhoeven’s slippery sci-fi action blockbuster since it came out in 1990, nor his memorably intense performance as Richter. The primary heavy in this adaptation of Philip K. Dick’s short story ‘We Can Remember It for You Wholesale’, Richter is in constant pursuit of amnesiac protagonist Quaid (Arnold Schwarzenegger) across both Earth and Mars, leaving a trail of devastation in his wake.

One of Canada’s most prolific actors, with more than 260 screen credits to his name, Ironside is perhaps best known to a certain generation for various antagonist and authority figure roles in fondly remembered films from the 1980s and 90s, including Verhoeven reunion Starship Troopers (1997), Tony Scott’s Top Gun (1986), David Cronenberg’s Scanners (1981) and Charles Burnett’s The Glass Shield (1994). 

Ahead of the release of a new 4K restoration of Total Recall, Ironside spoke to us via Zoom about both Verhoeven collaborations; his own lifelong affinity for science fiction; the on-set experience of making one of the last massive-budget movies based around mostly practical special effects; and how he thinks Cronenberg’s scrapped adaptation of the story might have turned out…

Full interview for the BFI

“I used the cinema to learn about the world” – ‘Daphne’ director Peter Mackie Burns on making his second film, ‘Rialto’

Following a decade’s worth of award-winning shorts, Glaswegian director Peter Mackie Burns made his fiction feature debut in 2017 with Daphne, a lauded character study concerning a pessimistic and hedonistic young woman (Emily Beecham) living in south London and undergoing an existential crisis after witnessing a stabbing. 

Second feature Rialto, supported by the BFI Film Fund, sees the director collaborating with writer Mark O’Halloran and heading to Dublin. Colm (Tom Vaughan-Lawlor) is a married dock worker with 2 teenage children. Still grieving the death of his destructive father, and with his job threatened by a recent takeover, he struggles to share his vulnerability with wife Clare (Monica Dolan). Where he finds solace, while threatening his family’s stability, is in his encounters and growing infatuation with Jay (Tom Glynn-Carney), a 19-year-old who intermittently works in prostitution.

Speaking to us at the Glasgow Film Festival in February, Mackie Burns discussed his tips for second feature success…

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‘She Dies Tomorrow’: Amy Seimetz on her timely contagion film

Writer-director Amy Seimetz’s She Dies Tomorrow isn’t the first 2020 release to gain unexpected layers by arriving during the COVID-19 pandemic, but it’s perhaps the most prescient. A visually vivid absurdist thriller that’s unsettling and darkly funny in equal measure, it concerns Amy (Kate Lyn Sheil), a woman consumed by the notion that she will die tomorrow.

Her’s isn’t a suicidal inclination, rather an unwavering conviction of her imminent demise. She vocalises this belief to her friend Jane (Jane Adams), with Jane then gripped by the same doom-laden anxiety. Jane then talks of her own death tomorrow to her brother (Chris Messina) and his party guests, and an increasing number of characters become ‘infected’ by this emotional contagion, the effects including transcendental visions and varying degrees of either panic or acceptance.

Whether consciously or not, much of the multi-talented Seimetz’s work has concerned mortality in various ways. Her striking first feature as director, Sun Don’t Shine (2012), is a Florida noir that resembles what you might get if Lynne Ramsay adapted a Jim Thompson story – like Ramsay’s Morvern Callar (2002), it involves the attempted discreet disposal of a body. As an actor, Seimetz’s credits include several key horror films of the last decade, from independent breakthrough You’re Next (2011) to studio spine-chillers Alien: Covenant (2017) and Pet Sematary (2019). Her fee for the latter reportedly funded She Dies Tomorrow.

Speaking to us via Zoom, Seimetz discussed the film’s existential dread and eccentricities…

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