Tag Archives: Chile

“That summer we were all waiting for democracy to start”: Dominga Sotomayor on ‘Too Late to Die Young’

Too Late to Die Young is Chilean writer-director Dominga Sotomayor’s third feature, though the first since her well-regarded debut, Thursday til Sunday (2012), to receive much international distribution. The new work feels of a piece with the breakthrough film in its focus on the perspective of children and their burgeoning awareness of the complexities of their family situations. At the same time, that focus in the new effort is more expansive, with the juggling of a larger ensemble of both young and adult characters, and more ambitious in its evocation of a specific period and a unique setting rooted in Sotomayor’s own upbringing.

Set in Chile in summer 1990, in the run-up to New Year’s Eve, the film follows teenagers Sofía (Demian Hernández) and Lucas (Antar Machado) and ten-year-old Clara (Magdalena Tótoro) facing various disappointments while living in a partially built ecological settlement in the mountains just off from Santiago. Lucas pines for Sofía; Sofía is drawn to an older man and also longs to move away from the commune to live with her estranged mother; and Clara searches for her missing dog. There is relatively little narrative incident, with Sotomayor favouring a shaggy hangout vibe above a story prone to any concrete definitions. The film’s political underpinnings – it’s set just after the end of Pinochet’s dictatorship – are unobtrusive, relegated to the briefest of period signifiers and occasional dialogue allusions.

I spoke to Sotomayor at the Locarno Festival in 2018, where she became the first woman ever to win the Leopard award for Best Direction…

Full interview for Sight & Sound

Advertisements

Too Late to Die Young (Dominga Sotomayor, 2018)

Recipient of this year’s Leopard for Best Direction in the International Competition at Locarno, Too Late to Die Young is not Dominga Sotomayor’s first feature since her debut breakthrough Thursday Till Sunday (2012), as the 58-minute Mar (2014) premiered in between. It does, however, feel like a direct continuation of that first feature’s preoccupation with the implications of parents’ life-altering decisions upon the children they take along for the ride. In Thursday Till Sunday, a road trip was the backdrop for a story of a teen discovering her parents may be separating, while Too Late to Die Young, which opens with another car journey, is concerned with multiple children being uprooted…

Full review for Sight & Sound

Pablo Larraín rethinks the biopic with ‘Neruda’

When it comes to productivity, there aren’t many high-profile directors who come close to Japan’s Takashi Miike (who has made approximately five features since you started reading this sentence), but there are a select few who can be relied upon to give us at least one feature film a year, sometimes even two. Michael Winterbottom is good for this, while Steven Soderbergh was very good for it before his self-imposed (and now broken) retirement from film directing.

With three films in the last two years, Chilean director Pablo Larraín is making a case to join that select group. It’s also worked out that his two most recent films serve to complement each other very well (the odd duck is Catholic Church drama The Club). Larraín has just been through the awards season madness with his English-language debut, Jackie Kennedy biopic Jackie (which picked up three Oscar nominations), and his third film of the trio, Neruda (which hit festivals before Jackie), is a similarly slippery portrait of a political figure, in this case revolutionary Chilean poet-diplomat and politician Pablo Neruda…

Full interview for The Skinny

Neruda (Pablo Larraín, 2016)

Neruda, Pablo Larraín’s third film in the space of two years, is in some ways a blending of the modes of his prior Chilean filmography and his ostensibly different American debut Jackie. While Jackie’s break from political biopic convention was largely to do with a fractured structure, Neruda does so by establishing a fictional figure and narrative to intertwine with the story of revolutionary poet Pablo Neruda (Luis Gnecco)’s life after the Chilean government outlawed Communism in 1948…

Full review for The Skinny