Tag Archives: David Cronenberg

I can remember it for you wholesale: The making of ‘Total Recall’, 30 years on

Total Recall was one of my favourite experiences. When was it released? 30 goddamn years, my god.”

Michael Ironside may not immediately remember just how long ago it was that Total Recall was released, but few have been able to forget Paul Verhoeven’s slippery sci-fi action blockbuster since it came out in 1990, nor his memorably intense performance as Richter. The primary heavy in this adaptation of Philip K. Dick’s short story ‘We Can Remember It for You Wholesale’, Richter is in constant pursuit of amnesiac protagonist Quaid (Arnold Schwarzenegger) across both Earth and Mars, leaving a trail of devastation in his wake.

One of Canada’s most prolific actors, with more than 260 screen credits to his name, Ironside is perhaps best known to a certain generation for various antagonist and authority figure roles in fondly remembered films from the 1980s and 90s, including Verhoeven reunion Starship Troopers (1997), Tony Scott’s Top Gun (1986), David Cronenberg’s Scanners (1981) and Charles Burnett’s The Glass Shield (1994). 

Ahead of the release of a new 4K restoration of Total Recall, Ironside spoke to us via Zoom about both Verhoeven collaborations; his own lifelong affinity for science fiction; the on-set experience of making one of the last massive-budget movies based around mostly practical special effects; and how he thinks Cronenberg’s scrapped adaptation of the story might have turned out…

Full interview for the BFI

Ben Wheatley on ‘High-Rise’

The Skinny’s chatting to director Ben Wheatley on the phone on the evening of the Glasgow Film Festival programme launch, with the Scottish premiere of his new film being among the screenings publicly announced as we speak. High-Rise, his fifth feature, is an adaptation of JG Ballard’s beloved 1975 novel. It’s a dystopic tale of alienation, corruption and societal breakdown within the confines of a lavish apartment complex that starts off sleek and appealing, only to gradually transform into the kind of tower block that wouldn’t seem out of place in the world of Judge Dredd. Tom Hiddleston and Jeremy Irons, as grand architect Royal, topline an impressive cast for the British director’s first foray into bigger budget filmmaking.

“What it gives you as a filmmaker is much more control,” Wheatley says of the scale change. “You can have much more control on very basic stuff like the colours of the rooms, how costumes relate to spaces, and how spaces relate to the overall design of the whole film. I think it’s a big difference…

Full interview for The Skinny