Tag Archives: Edinburgh

The bitter and the sweet: British features at Edinburgh 2019

2019 marked my seventh trip to the Edinburgh International Film Festival. Something I’ve always appreciated about its commitment to new British cinema – and not just through its Michael Powell Award competition – is that it provides a platform for more idiosyncratic examples of independent British cinema that may struggle to get a launch at the grander London Film Festival. And while it’s faced competition from the rising Glasgow Film Festival for specifically Scotland-focused fiction and nonfiction, Edinburgh has always launched interesting fare from across the increasingly divided United Kingdom – from Peter Strickland’s Berberian Sound Studio (2012) to Matt Palmer’s Calibre (2018), to name but two recent personal favourites.

That said, not every year can be a vintage one when you take a chance on lots of relatively unproven talent, and my experience of this year’s British line-up was that while the pick-ups from overseas A-list festivals were mostly solid to very good (the Toronto-premiering British folk horror Gwen, now opening in UK cinemas, stood tall), the festival’s own finds were underwhelming so far as the fiction films went…

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10 to see at the 2019 Edinburgh International Film Festival

The Edinburgh International Film Festival, the world’s longest continuously-running film festival and now in its 73rd year, runs between 19 and 30 June. It opens with the European premiere of Boyz in the Wood (2019), which is not a tribute to the late John Singleton but rather a dark, folk horror-influenced comedy set in the Scottish Highlands, from writer-director Ninian Doff. The world premiere of Mrs. Lowry & Son (2019) closes the festival: Adrian Noble’s light-hearted biopic of L.S. Lowry (Timothy Spall) portrays the painter long before he was established as one of the 20th century’s greatest artists, devoted to but frustrated with his bitter mother, Elizabeth (Vanessa Redgrave).

Beyond the bookend galas, there are many premieres (including world-first screenings of 18 features), discoveries and retrospectives of note. Here are 10 highlights from the packed programme…

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Scotland Loves Anime 2018

Bar the occasional big screen outing for kids’ brands like the Teen Titans and My Little Pony, Hollywood has largely given up on releasing 2D feature animation in cinemas. And with the exception of recent European efforts like Ethel & Ernest, the best place for more traditional animation styles to thrive remains in the East, particularly in Japan. Anime on the big screen in Britain has become a big business thanks to successful limited runs via distributors Anime Limited and Manga UK, especially with 2016’s worldwide smash Your Name. The Scotland Loves Anime festival, returning for its ninth instalment at Glasgow Film Theatre and Edinburgh’s Filmhouse, is the best place for the unfamiliar and hardcore enthusiasts alike to get their biggest and most diverse dose of the medium…

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Local Heroes: new Scottish features at Edinburgh 2018

Before launching its full programme, the 72nd Edinburgh International Film Festival announced the films in the lineup with notable Scottish connections. It’s standard practice for this festival, presumably tied to obligations to sponsors such as Creative Scotland, to give the slate of local productions a profile-boost before breaking out the international big guns.

Of late, this tease has proved more foreboding than enticing. With a few exceptions (such as Peter Strickland’s Berberian Sound Studio), the quality of British features receiving their world premiere at the festival in recent years has been especially patchy, and a number of the particularly dire ones have, in my experience, been those with a local connection. Romantic comedy Scottish Mussel (2015) may still be the worst feature I’ve seen at any film festival.

This year’s Scots-focused preview looked more promising, however, both for the world premieres as well as titles accruing buzz from festivals abroad. Despite the odd dud, the quality, variety and, in some cases, ambition of the features under the broad banner of Scottish filmmaking proved reflective of the state of this year’s programme as a whole…

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Edinburgh International Film Festival 2018: 10 to see

Now in its 72nd instalment, the Edinburgh International Film Festival is the world’s longest continuously-running film festival. This year’s edition opens with the UK premiere of Marc Turtletaub’s jigsaw drama Puzzle, starring Kelly Macdonald and Irrfan Khan. The festival later closes with the UK premiere of Swimming with Men, a British comedy from director Oliver Parker, starring Rob Brydon, Jim Carter, Daniel Mays and Adeel Akhtar.

Beyond the galas, there are many premieres, discoveries and retrospectives of note. Here are 10 highlights from the big programme, with the festival running from 20 June to 1 July…

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Scotland Loves Anime 2017: Preview

Each year, Scotland Loves Anime gives animation fans a chance to see an eclectic selection of Japanese fare on the big screen. This year marks the eighth instalment of the festival at Glasgow Film Theatre and Edinburgh’s Filmhouse, with tours across additional locations in Scotland to follow.

Though anime on the big screen in the UK is becoming more and more common thanks to the work of distributors like Anime Limited and National Amusements (both were behind box office hit Your Name, amongst others of late), many a notable feature slips through the gaps. As such, this year’s Scotland Loves Anime line-up is an appealing mix of wide-ranging titles for both hardcore enthusiasts and the anime novice; from European or UK premieres of new franchise entries to influential classics worth seeing big…

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Scotland Loves Anime 2015: Preview

Now in its sixth year, October’s Scotland Loves Anime festival is not just the region’s leading exhibitor of Japanese animation on the big screen (where so much of it begs to be seen, but infrequently is in the UK), but is also now a key time on the film calendar for more offbeat Asian fare of the live-action variety, sandwiched as it is between the big Edinburgh and Glasgow film festivals of June and February. To name one highlight of the last few years, SLA offered the only UK cinema showings of madman maverick Takashi Miike’s Ace Attorney, a bonkers live-action adaptation of the popular Phoenix Wright video games. Appropriately enough, given the festival’s widening scope and growing reputation, the 2015 instalment will see it expand beyond its usual homes at Glasgow Film Theatre and Edinburgh Filmhouse, with Aberdeen’s Belmont Filmhouse getting its own taste of the animated action…

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