Tag Archives: Elle Fanning

I Think We’re Alone Now (Reed Morano, 2018)

In the majority of post-apocalyptic stories, when there’s seemingly a lone survivor in the world, one of the major struggles the character tends to face is intense loneliness. I Think We’re Alone Now differs from most in the genre in that its lead is content in their solitude. When it turns out more of humanity’s survived than they thought, it’s actually an inconvenience…

Full review for SciFiNow

Advertisements

Out of the shadow of ‘Frankenstein’: Haifaa al-Mansour on her ‘Mary Shelley’ biopic

With her 2012 debut Wadjda, Haifaa al-Mansour achieved two milestones: she became both the first female Saudi filmmaker to direct a feature-length film and also the director of the first feature shot entirely in Saudi Arabia.

Fittingly, her follow-up feature and English language debut, Mary Shelley, sees her tackle the story of a woman who was also a groundbreaking artist in her time. Led by Elle Fanning in the title role, the film follows the love affair between poet Percy Shelley (Douglas Booth) and the teenage Mary Wollstonecraft Godwin, which resulted in the latter writing Frankenstein

Full interview for the BFI

The Beguiled (Sofia Coppola, 2017)

Thomas P. Cullinan’s 1966 Southern Gothic novel A Painted Devil was previously brought to the screen, under the title of The Beguiled, by director Don Siegel in 1971. An American Civil War-set tale of an injured union soldier taking refuge in a Virginian girls’ school, Siegel’s version was led by regular collaborator Clint Eastwood. For Sofia Coppola’s stab at the material, although Colin Farrell is top-billed as the stranger sowing seeds of mistrust, things are determinedly more female-focused…

Full review for VODzilla.co

Bad Land: Road to Fury (Jake Paltrow, 2014)

Originally titled Young Ones for its US release, Bad Land: Road to Fury has seemingly received a name change in an attempt to capitalise on the hype surrounding the forthcoming Mad Max: Fury Road. Despite the presence of that film’s co-star Nicholas Hoult, plus desert vistas and a post-apocalyptic setting where a fleeting water supply is a key plot point, Jake Paltrow’s sci-fi Western has little in common with the Mad Max series. It actually resembles, of all things, the sprawling 1956 land epic Giant

Full review for The Skinny