Tag Archives: Exotica

Atom Egoyan: How we made ‘Exotica’ – 25th anniversary

Misleadingly marketed as an erotic thriller by Miramax, Exotica proved a notable box-office success for a Canadian film when it was released a quarter of a century ago. It was a commercial breakthrough for its Cairo-born writer-director Atom Egoyan, following well-regarded arthouse titles such as Speaking Parts (1989) and The Adjuster (1991). Nominated for the Palme d’Or at Cannes and recipient of eight Genie awards (Canada’s equivalent of the Oscars), Egoyan’s film remains one of Canadian cinema’s most enduring and influential titles, and – along with The Sweet Hereafter (1997) – the director’s most highly regarded feature.

Set primarily around the fictional Exotica strip club in Toronto, the non-linear narrative – in which Egoyan withholds many of the specifics of characters’ relationships until the very end – concerns the intertwining lives of Francis (Bruce Greenwood), a tax auditor; Christina (Mia Kirshner), a young dancer; Eric (Elias Koteas), the club’s DJ; Thomas (Don McKellar), a pet shop owner; and Zoe (Arsinée Khanjian), the club’s pregnant owner.

Exotica is largely about loss, mourning and the effects they have on human connections; how people’s attempts to cope with extreme, often concealed grief manifest in outwardly disturbing personal rituals. The final scenes are among the most emotionally cathartic of 1990s cinema, drastically reconfiguring your understanding of previous events, while also opening up many unsettling questions. Far from a shallow puzzle narrative, the film’s power only grows with repeat viewings.

With 2019 marking the film’s 25th anniversary, I spoke to Atom Egoyan about Exotica’s production and legacy while he was at this year’s BFI London Film Festival to give a career talk and support his new film, Guest of Honour. Our conversation spoils one narrative reveal from Exotica’s finale…

Full interview for the BFI

The great Leonard Cohen moments in film

With Nick Broomfield’s documentary Marianne & Leonard: Words of Love, an in-depth look at the relationship between Leonard Cohen and muse Marianne Ihlen, playing at the Edinburgh International Film Festival this month and on general release in July, we thought it an appropriate time to highlight some of our favourite Cohen needle drops in cinema.

Whether with his own voice or through cover versions, many films and TV shows have made stirring use of Cohen’s music, though there is no instance in which the songs in question were written with the intention of featuring in that movie or episode.

For inclusion in the small selection below, we’ve stuck to the following criteria: feature films only, one entry per song, and Cohen recordings only, not covers of his work…

Full feature for The Skinny