Tag Archives: Feature

Ten Must-See Films from This Year’s London Film Festival

Although presenting a smaller programme than found in any recent pre-pandemic instalment, the 65th London Film Festival still offered up hundreds of new features and shorts, panels, restorations of classics, VR works, and big screen previews of prestige TV series (e.g., season 3 of Succession). It was a relative return to normalcy, made most evident by the plentiful red-carpet ceremonies and almost every programmed feature getting screened across the central London venues. That said, the increased accessibility of last year’s smaller, largely digital edition wasn’t completely abandoned: a decent amount of the features could be rented digitally from anywhere in the UK. And select cinemas in other British cities had their own screenings of some of the higher-profile titles.

In alphabetical order, here are ten of the best titles from LFF 2021 worth looking out for; some on their way to screens big and small soon…

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Five of the best films from the 74th Locarno Film Festival

Under the lead of new festival director Giona A Nazzaro, this year’s Locarno Film Festival seems to have had a generally mixed reception from those on the ground in Switzerland. Some long-time attendees have been particularly critical of the 74th edition’s heavier incorporation of genre filmmaking in the programme, in the context of a festival generally lauded for premiering some of the hardest-to-classify films around. That said, Locarno has hardly turned into Fantastic Fest, and many of those genre films were far from formulaic filler. Here are five feature highlights from this year’s edition…

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10 to see at the Edinburgh Film Festival 2021

Moving, for the time being, from June to late August, this year’s Edinburgh International Film Festival is also a shorter edition than in pre-pandemic times – a week-long affair running from 18 to 25 August.

As with last autumn’s BFI London Film Festival, EIFF will also be a locally physical and nationally digital hybrid. Unlike that first coronavirus-era edition of LFF, though, every feature programmed is scheduled for at least one theatrical screening at Edinburgh’s Filmhouse or Festival Theatre, with some getting two to three. For those outside of the Scottish capital, most – though not all – of the line-up will also be available to rent digitally through Filmhouse at Home…

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10 great horror sequels

One is the loneliest number in the world of horror movies. As cinemas welcome A Quiet Place Part II, we celebrate some of the best first sequels…

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20 years on, Josie and the Pussycats is a meta, zany pop time capsule

Time has been kind to Josie and the Pussycats. Long before the fictional rock band featured in TV’s Riverdale, their Archie Comics source material was brought to the big screen in 2001. Writer-director duo Harry Elfont and Deborah Kaplan (Can’t Hardly Wait) were at the helm, with Rachael Leigh Cook, Rosario Dawson and Tara Reid cast as band members Josie, Valerie and Melody, respectively, and the glorious scenery-chewing pair of Parker Posey and Alan Cumming as antagonists. But there was a twist.

While operating perfectly well as a sincerely heartfelt tale of friendship in the face of growing fame, the film is also a feature-length jab at the industries behind its existence, skewering consumerism, subliminal advertising, and the very notion of adapting a comic into a movie. Josie is an indelible early 2001 time capsule, but it also feels of a piece with the later meta stylings of Phil Lord and Chris Miller, whose 21 Jump Street and The LEGO Movie also walk a fine line between enthusiastic adaptation of an intellectual property and more cynically questioning their very existence. Comparing it to closer contemporaries, it’s something like Spice World meets Zoolander

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Sex, Magic and Anarchy: Ten Highlights From Berlin Film Festival 2021

Traditionally the biggest European film festival in the calendar year’s first quarter, the Berlinale unsurprisingly had to shift to an online-only model for its early March incarnation in 2021; one that was only open to industry professionals and buyers, plus journalists reporting on the premieres. (The organisers are planning to host a later in-person repeat of the programme in the summer so that the public can experience the films on the big screen, vaccine rollout permitting).

Nevertheless, it was an impressive line-up. Although much smaller than in a more normal edition, this year’s programme has widely been deemed one of the most exciting in terms of overall quality. In alphabetical order, here are ten of the best features we caught that you should keep on your radar, some of which already have UK distribution lined up…

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A Socially Distanced Berlinale’s Socially Distanced Films

A year on from the World Health Organisation declaring the Covid-19 outbreak a pandemic, film production has continued across the globe with increased safety measures in place; for shoots interrupted last March and later resumed, or productions that had their start delayed finally beginning filming. We’ve also had projects that were not only conceived during early lockdown stages (depending on where the filmmakers have been based), but also those that have already gone into production since. Some have even managed to be released already, albeit mostly directly to streaming services or video on demand in light of the crisis facing theatrical exhibition in a majority of the world’s major markets…

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Ten of the Best Films to Stream from Glasgow Film Festival 2021

The 17th Glasgow Film Festival has had to go fully online thanks to lockdown measures but, on the plus side, this model means that you can catch some of the best new films from around the world from the comfort of your home, wherever you are in the UK. And though the selection is a lot smaller than a traditional in-person edition in the Scottish city, the curation remains strong. In alphabetical order, here are ten of the best films you can rent as part of this year’s GFF, which runs from 24 February to 7 March…

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What to watch at the Glasgow Film Festival 2021

Last year’s Glasgow Film Festival was one of the final film festivals in the world to proceed as planned as an in-person event, concluding just 3 days before the World Health Organization declared the outbreak of COVID-19 a pandemic. In the 11 months since, British film festivals have shifted to largely online models, with some physical cinema arrangements depending on their timing in relation to eased restrictions. 

GFF 2021 – taking place from 24 February to 7 March – was planned to be a locally physical and nationally digital hybrid in the spirit of last October’s London Film Festival. In light of current lockdown measures that hasn’t been possible, yet Glasgow’s now fully online programme remains an exciting prospect. The selection may be much smaller in quantity compared with a traditional edition, but the quality in the curation is still there in spades…

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