Tag Archives: Feature

The bitter and the sweet: British features at Edinburgh 2019

2019 marked my seventh trip to the Edinburgh International Film Festival. Something I’ve always appreciated about its commitment to new British cinema – and not just through its Michael Powell Award competition – is that it provides a platform for more idiosyncratic examples of independent British cinema that may struggle to get a launch at the grander London Film Festival. And while it’s faced competition from the rising Glasgow Film Festival for specifically Scotland-focused fiction and nonfiction, Edinburgh has always launched interesting fare from across the increasingly divided United Kingdom – from Peter Strickland’s Berberian Sound Studio (2012) to Matt Palmer’s Calibre (2018), to name but two recent personal favourites.

That said, not every year can be a vintage one when you take a chance on lots of relatively unproven talent, and my experience of this year’s British line-up was that while the pick-ups from overseas A-list festivals were mostly solid to very good (the Toronto-premiering British folk horror Gwen, now opening in UK cinemas, stood tall), the festival’s own finds were underwhelming so far as the fiction films went…

Full feature for Sight & Sound

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The great Leonard Cohen moments in film

With Nick Broomfield’s documentary Marianne & Leonard: Words of Love, an in-depth look at the relationship between Leonard Cohen and muse Marianne Ihlen, playing at the Edinburgh International Film Festival this month and on general release in July, we thought it an appropriate time to highlight some of our favourite Cohen needle drops in cinema.

Whether with his own voice or through cover versions, many films and TV shows have made stirring use of Cohen’s music, though there is no instance in which the songs in question were written with the intention of featuring in that movie or episode.

For inclusion in the small selection below, we’ve stuck to the following criteria: feature films only, one entry per song, and Cohen recordings only, not covers of his work…

Full feature for The Skinny

10 to see at the 2019 Edinburgh International Film Festival

The Edinburgh International Film Festival, the world’s longest continuously-running film festival and now in its 73rd year, runs between 19 and 30 June. It opens with the European premiere of Boyz in the Wood (2019), which is not a tribute to the late John Singleton but rather a dark, folk horror-influenced comedy set in the Scottish Highlands, from writer-director Ninian Doff. The world premiere of Mrs. Lowry & Son (2019) closes the festival: Adrian Noble’s light-hearted biopic of L.S. Lowry (Timothy Spall) portrays the painter long before he was established as one of the 20th century’s greatest artists, devoted to but frustrated with his bitter mother, Elizabeth (Vanessa Redgrave).

Beyond the bookend galas, there are many premieres (including world-first screenings of 18 features), discoveries and retrospectives of note. Here are 10 highlights from the packed programme…

Full feature for the BFI

A Keanu Reeves film festival promises a most excellent adventure

With the third John Wick due in cinemas soon, a new event on the film calendar shines a spotlight on the multifaceted career of its star, Keanu Reeves. Taking place at Glasgow’s CCA, KeanuCon is Europe’s first Keanu Reeves film festival. It comes via Matchbox Cineclub, an independent exhibitor that’s already had success with the actor-focused festival format across two instalments of Cage-a-rama, alongside cult film festival Weird Weekend last year…

Full feature for Little White Lies

The best new films at the 2019 Glasgow Film Festival

For its 15th edition, the 2019 Glasgow Film Festival offered a stacked buffet of world, international and UK premieres, anniversary screenings in creative pop-up venues, compelling industry panels, and rich retrospectives.

On the latter front, a full Elaine May retrospective and the restoration of bonkers Japanese musical The Legend of the Stardust Brothers were among our personal highlights of this year’s programme. In terms of the new features on offer, however, the following eight titles represent our favourites from a notably strong programme…

Full feature for Little White Lies

10 things to see at Glasgow Film Festival 2019

Celebrating its 15th instalment, the Glasgow Film Festival runs this year between 20 February and 3 March, opening with the UK premiere of Jonah Hill’s directing debut, Mid90s. It later closes with another UK first: the premiere of Beats, an adaptation of Kieran Hurley’s award-winning play set in the Scottish rave scene of, well, the mid-90s.

Rest assured, the full festival programme isn’t solely aimed at Generation X and older millennials, though some 90s favourites are among those receiving pop-up screening treatment at creative venues; a 20th anniversary showing of The Blair Witch Project at a secret location sounds terrifying.

With more than 330 individual screenings, talks and events in between the opening and closing galas, choosing what to go to can be tricky. Here are 10 highlights from the stacked programme…

Full feature for the BFI

A beginner’s guide to the films of Lee Chang-dong

A celebrated academic and novelist prior to his directing career, Lee Chang-dong came to filmmaking relatively late in life, making his first feature in his forties. What unites all of his films is their extensive portraits of characters often at the mercy of circumstances beyond their control, be they societal and historical developments in his native South Korea, debilitating illnesses, or some omnipresent force that seems out to get them. As evidenced in his brilliant latest, Burning, Lee is unafraid to confront the ugliness of human nature. To celebrate the film’s release, we’ve put together a handy primer of his previous directorial efforts…

Full feature for Little White Lies