Tag Archives: Folk Horror

Ben Wheatley on pandemic-shot horror ‘In the Earth’

“We were the first people back and – whether it’s true or not – we really felt like the eyes of production were on us across the board.”

Writer-director Ben Wheatley is speaking to The Skinny over Zoom about In the Earth, the horror feature he wrote during the first few weeks of the COVID pandemic and shot with a small crew over 15 days in the early summer, as the UK came out of its initial lockdown period.

While Hollywood blockbusters with hired studio spaces – such as Jurassic World: Dominion – were able to resume shooting in the UK last summer after they had to hit pause, In the Earth was among the very first low budget productions to get going in late June 2020. And being first off the blocks had its pressures…

Full interview for The Skinny

Gwen (William McGregor, 2018)

We may not yet be in a full-blown renaissance of folk horror, a subgenre particularly popular in British cinema in the 1970s, but several recent high-profile offerings indicate a burgeoning interest in films eschewing traditional monsters and boogeymen for stories of the land, community traditions, and, occasionally, religion driving hysteria and hauntings.

Ben Wheatley’s A Field in England and Kill List flirt with folk horror in both period and contemporary contexts; Ari Aster’s Midsommar has an isolated Swedish village’s rituals causing terror; and Robert Eggers’ The Witch has the explicit subtitle A New-England Folktale. Gwen, the debut feature from TV veteran William McGregor (Poldark), fits neatly into this scene in terms of its use of landscape and how its writer/director flirts with macabre folklore to fuel a near-suffocating sense of dread…

Full review for Little White Lies

William McGregor on the ‘slow burn, anti-capitalist folk horror’ of ‘Gwen’

No one’s having an especially good time in Gwen, a gothic tale with a rural focus where the most tender moment involves someone applying blood to their cheeks as blusher.

In mid-19th century Snowdonia, north Wales, a young girl, Gwen (Eleanor Worthington-Cox), tries to hold her home together. Her father’s failure to return from war has her and her little sister, Mari (Jodie Innes), concerned. Her stern mother (Maxine Peake) has developed a strange illness, the farm’s crops are rotting, their closest neighbours have mysteriously died, and a ruthless mining company is looking to seize their land.

Gwen is the debut feature of William McGregor, a writer-director with various prize-winning shorts and acclaimed TV runs to his name, including Poldark (2015-). His breakthrough effort, co-financed by the BFI, is a tricky film to define, but he has a very specific way of describing it for prospective viewers. “A slow burn, anti-capitalist folk horror would be the best description,” he says. “You have to add that caveat because if you tell people it’s only folk horror, they might go in with slightly different expectations”…

Full interview for the BFI