Tag Archives: Hyperallergic

Modern Knights Compete in Medieval-Style Sword Fighting

If you have any awareness of sword-and-shield combat as a modern-day exercise, there’s a strong chance you’ve probably confused it with LARPing (live action role-playing). Medieval combat, however, is a real full contact sport, with a growing number of practitioners globally. Participants engage in competitive fights with historically accurate reproductions of medieval armor and blunted weapons, following period tournament rules (for the most part).

Fighting the misconception that their grueling, dangerous sport is just a LARP offshoot is among the many battles the modern medieval knight faces outside of the ring. “I think every single person that’s not in that world thinks it’s that,” says Ryan Heron, director of the documentary Bludgeon. I spoke to him and co-director Andy Deere at the Edinburgh International Film Festival. Their film explores the medieval combat scene via the Steel Thorns, the premier team from the Taranaki region of New Zealand, as they work toward representing their country in the world championships in Denmark…

Full interview for Hyperallergic

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The Untold Story of the Woman Who Helped Make a Landmark Holocaust Film

In the course of making Shoah, an epic nine-and-a-half-hour documentary on the Holocaust, French filmmaker Claude Lanzmann shot over 350 hours of interviews with witnesses, survivors, and perpetrators, alongside footage of key locations in the present day. Released in 1985, Shoah is credited with helping to awaken the public to the horrors of the Holocaust. But prior to that, Israeli editor Ziva Postec spent nearly six years painstakingly poring over those 350 hours to assemble the vital document we have today, only for her role in the production to be downplayed by Lanzmann and subsequent supporting material.

Ziva Postec. The Editor Behind the Film Shoah, from Canadian filmmaker Catherine Hébert, explores what would drive someone to devote so many years of their life to such a grueling undertaking, and at what cost. It’s also a warm portrait of a fascinating life beyond her definitive cinematic achievement, one filled with leaps of faith, tragedy, obsession, and working relationships with some of the great artists of the time, including Alain Resnais and Orson Welles. I had a chat with Hébert after the film’s UK premiere at the Edinburgh International Film Festival

Full interview for Hyperallergic