Tag Archives: Interview

‘Maniac’ creator Patrick Somerville on making you question reality and normalcy

Based on a Norwegian show of the same name, Netflix’s limited series Maniac reunites Superbad stars Emma Stone and Jonah Hill, alongside a formidable ensemble cast that features Justin Theroux, Sally Field, Sonoya Mizuno, Billy Magnussen, Julia Garner, Jemima Kirke and Gabriel Byrne in recurring roles. Directed in full by Cary Joji Fukunaga (True Detective), the dystopia-tinged dark comedy sees two strangers drawn to the late stages of a mysterious pharmaceutical trial, for mind-repairing pills sold as being able to solve all of a test subject’s problems permanently. What they experience is hallucinations of different worlds and realities.

Ahead of Maniac’s arrival on Netflix, we spoke to writer, executive producer, and the man with the ‘Created by’ credit on the show, Patrick Somerville. Also an author, his previous writing and producing work in television includes fellow Scandinavian series adaptation The Bridge and The Leftovers, the latter also starring Justin Theroux…

Full interview for SciFiNow

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Aaron Katz on ‘Gemini’, LA, noir, and Bad Influence(s)

A few years on from his mystery comedy Cold Weather, affectionately dubbed ‘mumblenoir’ by some, writer-director Aaron Katz returns to the narrative territory of a non-detective investigating a crime. And this one’s set in Los Angeles, the home of film noir.

Led by Lola Kirke and Zoë Kravitz, Gemini concerns the complex relationship between a personal assistant and her Hollywood starlet boss. After maybe 30 minutes of getting to know the pair, the film switches gears and sees the PA, Jill (Kirke), go sleuth, after she is connected to a major crime, with a suspicious detective (John Cho) on her trail. Michelle Forbes, James Ransone, Nelson Franklin, Reeve Carney and Ricki Lake are among the supporting cast.

With Gemini now available to rent or buy on UK streaming platforms, here’s our conversation with Katz about Hollywood films, noir, and him not being the biggest David Lynch fan…

Full interview for VODzilla.co

Mark Cousins on ‘The Eyes of Orson Welles’, documentaries and Netflix

Director, critic and curator Mark Cousins returns with essay feature The Eyes of Orson Welles, a documentary, divided into five chapters, that explores the legendary filmmaker through a subject that’s rarely come up in the multiple existing biographical portraits of the man: his paintings and sketches, many of which have never before been displayed for public consumption outside of this film.

Invited to his Edinburgh flat to see a few of Welles’ drawings up close, prior to a summer exhibition in the city, we spoke to Cousins about collaborating with Welles’ daughter, Beatrice, avoiding clichés about the filmmaker, inspiring documentaries, Donald Trump, and his thoughts on Netflix’s handling of Welles’ final film, which is set to premiere at the Venice Film Festival…

Full interview for VODzilla.co

Locarno: Leonardo Guerra Seràgnoli on ‘Likemeback’

Following his first feature in 2014, the Rinko Kikuchi-led “Last Summer”, Italian writer-director Leonardo Guerra Seràgnoli returns with “Likemeback,” a young women-led drama exploring smartphone addiction. This time around, he follows three Italian teenagers – played by Angela Fontana, Denise Tantucci and Blu Yoshimi – on a boat-based vacation in Croatia, celebrating the end of high school. They share everything on social media, but their addiction to those platforms, along with conflicts concerning their insecurities, take multiple dark turns that look to be life-ruining.

As “Likemeback” received its world premiere at this year’s Locarno Festival, Seràgnoli spoke to Variety about the film’s themes concerning social media, collaborating with his stars on the story, and the appeal of setting a social media cautionary tale out at sea…

Full interview for Variety

Xavier Giannoli talks MUBI’s ‘The Apparition’

From the director of Marguerite and The Singer, The Apparition is a French drama concerning a journalist (Vincent Lindon) being hired by the Vatican to assist with a canonical investigation into a young woman (Galatéa Bellugi) in a small French village, who claims to have been visited by the Virgin Mary.

With MUBI now releasing The Apparition in British cinemas and on their service at a later date, we spoke to writer-director Xavier Giannoli about his procedural drama just before the film’s British premiere at the Edinburgh International Film Festival…

Full interview for VODzilla.co

Marcelo Martinessi on ‘The Heiresses’

Most of the time when The Skinny interviews filmmakers in person, particularly in the context of a film festival, it’s in a swanky conference room or reserved table in a posh hotel’s private bar. When speaking to Paraguayan writer-director Marcelo Martinessi at this year’s Edinburgh International Film Festival, our interview is confirmed so last-minute that it ends up taking place at a spare table by the concessions stand in the lobby of the Odeon on Lothian Road, mere minutes after he’s introduced the film’s UK premiere. Considering we have to move some spilt popcorn off the seats, we wouldn’t have blamed Martinessi for being less than thrilled to speak about his work in such surroundings. But the filmmaker proves enthusiastic and engaged, even though his trousers probably now bear traces of butter…

Full interview for The Skinny

Out of the shadow of ‘Frankenstein’: Haifaa al-Mansour on her ‘Mary Shelley’ biopic

With her 2012 debut Wadjda, Haifaa al-Mansour achieved two milestones: she became both the first female Saudi filmmaker to direct a feature-length film and also the director of the first feature shot entirely in Saudi Arabia.

Fittingly, her follow-up feature and English language debut, Mary Shelley, sees her tackle the story of a woman who was also a groundbreaking artist in her time. Led by Elle Fanning in the title role, the film follows the love affair between poet Percy Shelley (Douglas Booth) and the teenage Mary Wollstonecraft Godwin, which resulted in the latter writing Frankenstein

Full interview for the BFI