Tag Archives: Ireland

The Cured (David Freyne, 2017)

The Cured, the debut feature from writer-director David Freyne, is a horror film that doesn’t end as well as it starts. But it does start very well, in part, because it’s blessed by a killer premise…

Full review for VODzilla.co

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The Secret Scripture (Jim Sheridan, 2016)

The most striking moment in Jim Sheridan’s The Secret Scripture occurs in the very first scene, as a soft Irish voice repeatedly states, “My name is Rose McNulty. I did not kill my child.”

Older and younger incarnations of Rose are played by Vanessa Redgrave and Rooney Mara respectively. The former dictates an account of her misfortunes to a psychologist, Dr Grene (Eric Bana), as documented in the graffitied bible she’s kept hidden during her plus 40-year stay in a psychiatric hospital. She’s been there since the waning days of World War Two, admitted under accusations of both infanticide and nymphomania. Convinced the son she had snatched away from her is still alive, the older Rose argues her case…

Full review for Little White Lies

The Hallow (Corin Hardy, 2015)

Outside of the Leprechaun series, Irish mythology has been rather underserved by genre-inclined filmmakers. With his debut feature, backwoods horror The Hallow, director and co-writer Corin Hardy goes some way to trying to rectify this, even if the end result isn’t completely successful, nor as psychologically resonant as the best of legends…

Full review for Little White Lies

Saoirse Ronan on ‘Brooklyn’, family & musicals

“Oh God, I do really love Singin’ in the Rain. I loved Gene Kelly so much, and I loved watching him perform.”

The Skinny is chatting with Saoirse Ronan just a few hours before her new film, Brooklyn, has a red carpet launch for its European premiere at this year’s London Film Festival, and we’ve broached the topic of favourite movies from the era of the film’s 1950s setting. “What else did I love?” she continues. “I loved anything with Bette Davis. She was terrific. Maybe that was more late 40s, but she worked into the 50s as well. All About Eve would be 50s and I love All About Eve.”

The question is inspired by Ronan’s character in the film, who goes to see the aforementioned Kelly musical, swoons over Gary Cooper with a friend, and has a conversation about John Ford’s The Quiet Man, released in 1952, the year of Brooklyn’s setting…

Full interview for The Skinny