Tag Archives: Isadora’s Children

Isadora’s Children (Damien Manivel, 2019)

Among the most influential figures in dance of the 20th century, Isadora Duncan faced a horrible tragedy in 1913 when her infant children both drowned while in the care of their nanny as their runaway car plunged into the Seine. During her grieving process, Duncan choreographed a three-part piece called ‘Mother’ as a means to express her heartbreak.

Written and directed by former dancer and acrobat Damien Manivel (who won the Best Director prize at Locarno in 2019), the delicate and deliberately-paced Isadora’s Children is cut into three distinct parts, each exploring how the lives of three sets of women – all of different ages and backgrounds – are touched by ‘Mother’…

Full review for Little White Lies

Locarno Film Festival 2019: The Skinny’s Highlights

Founded in 1946, Switzerland’s Locarno Festival is one of the world’s longest-running film festivals, known for its arthouse-favouring programming, extensive retrospectives and nightly open-air screenings in the Piazza Grande, which can seat 8000 spectators. The latter is by no means the only venue, but it’s the one most associated with the festival. Having attended for the first time last year, we often recall the memory of seeing Ethan Hawke’s directorial effort Blaze amid a rare torrential downpour in the otherwise scorching town.

Taking place by Lake Maggiore at the southern foot of the Swiss Alps, Locarno can be quite pricey to attend because almost none of the food on offer is cheap, but the very welcoming atmosphere makes up for a lot. The intermingling of public, industry and press attendees every night, particularly at select pubs open until 3am, is unlike any other festival we’ve experienced. Where else might you see Béla Tarr exit an otherwise amicable-seeming conversation with Pedro Costa with a “fuck off” before getting in a car? Hopefully that’s how he says goodbye to everyone…

Full feature for The Skinny