The Death Cure, the final adaptation of James Dashner’s dystopian Maze Runner novels, starts with a combination train robbery/prison break sequence that recalls not one, but two set-pieces from the first act of Fast & Furious 5 – or Fast Five as it’s known outside the UK. The success of that formula-shifting entry in the Fast series is credited with rejuvenating a franchise that had gone stale, bringing aboard lots of new fans who were entertained by the change-up in execution.
Fittingly, considering the possible homage in the opening action scene, The Death Cure is akin to Fast Five in that it’s a noticeable upgrade when compared to prior series instalments…
Full review for SciFiNow
This piece was originally published at Sound On Sight, which is no longer active. The below is an edit from 7 May 2018.
The feature debut of writer-director Sara Colangelo, Little Accidents is an intense small-town drama that premiered to positive notices at the 2014 instalment of the Sundance Film Festival, and is now seeing a release one year on. Starring Elizabeth Banks, Boyd Holbrook, Jacob Lofland, Josh Lucas and Chloë Sevigny, it concerns several players in a town recently devastated by a fatal mining accident. There’s Amos (Holbrook), the sole survivor of the accident that killed ten of his colleagues; Owen (Lofland), whose father was one of those who perished; Bill (Lucas), a mining company executive whose role in the accident has made his family a target of contempt for the town’s anger and sorrow; and Diane (Banks), Bill’s mostly housebound wife, who finds herself drifting away from her partner, and not just because their teenage son has gone missing.
In the week leading up to the film’s debut in American cinemas, Colangelo was kind enough to speak to Sound On Sight about the story’s roots, her cinematic inspirations and intentions, and her experience with the Sundance Institute’s famed Screenwriters and Directors Labs. Continue reading The Place Beyond the Mines: Writer-director Sara Colangelo on ‘Little Accidents’