Tag Archives: Japan

MFKZ (Shôjirô Nishimi/Guillaume Renard, 2017)

Scattered throughout animation MFKZ (aka Mutafukaz) – a collaboration between French company Ankama Animation and Japanese studio Studio 4°C (Tekkonkinkreet, Mind Game) – are a number of narrative-interrupting title cards that reflect something about the film’s various eccentricities. Some are posed as questions before expository information, such as in the case of ‘Who Are These Mysterious Wrestlers?’ One, in particular, stands out: ‘The Movies Have Never Seen Sh*t Like This!’ Although you can trace the DNA of a few notable influences, They Live and Akira among them, one might find that an accurate summation of MFKZ as a whole…

Full review for SciFiNow

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Takashi Miike on his 100th film ‘Blade of the Immortal’

“I’m a very lazy person by nature,” director Takashi Miike tells us.

Were one to assess laziness on a spectrum, the act of having completed a film of any kind would, we feel, denote a distinct lack of lethargy. So it seems especially strange to hear this character assessment from an individual who’s due to release his 100th film, called Blade of the Immortal

Full interview for The Skinny

Blade of the Immortal (Takashi Miike, 2017)

Prolific Japanese director Takashi Miike reaches 100 films to his name with Blade of the Immortal, a characteristically blood-soaked adaptation of a long-running manga by Hiroaki Samura. Pop star turned actor Takuya Kimura plays Manji, a samurai cursed with immortality following a near-death experience in a brutal battle – any life-threatening injuries he sustains, any limbs lost, will heal back up…

Full review for The Skinny

Tokyo Tribe (Sion Sono, 2014)

From the ever-prolific cult Japanese filmmaker Sion Sono comes Tokyo Tribe, an anarchic hip-hop musical about gang warfare that may be the director’s most unhinged film yet. And that’s saying something, considering the man’s made at least one four-hour movie about an upskirt photographer…

Full review for VODzilla.co

Hirokazu Kore-eda on ‘Our Little Sister’

When we meet at the London Film Festival, Japanese director Hirokazu Kore-eda expresses an admiration for The Skinny’s iPhone case, which has a design based on the No-Face character from Hayao Miyazaki’s Spirited Away. After this, though, he admits via an interpreter that he hasn’t actually seen that hugely successful animation, which is something of a surprise – not just because Spirited Away was such a massive hit in Japan, as well as around the world, but also because Kore-eda has in his own way been just as significant a force in Japanese film over the last few decades as Miyazaki and Studio Ghibli, albeit in the realm of live-action and in a much quieter fashion…

Full review for The Skinny

Tokyo Tribe (Sion Sono, 2014)

Bringing “slammin’ beats from the ass-end of hell,”, Sion Sono’s manga adaptation Tokyo Tribe is a hysterical hybrid of The Warriors, Yakuza movies and Escape from New York, spliced with video games Jet Set Radio and Streets of Rage, and a dash of Scott Pilgrim. Also, it’s a candy-coloured rap-battle musical where maybe 15% of the dialogue isn’t sung or grunted to some kind of beat. So in that sense it’s like The Umbrellas of Cherbourg but with added beatboxing, tanks, Clockwork Orange-riffing human furniture and virgin sacrifices to Satan. Fun for all the family…

Full review for The Skinny