Tag Archives: Julie Delpy

Richard Linklater: Dream Is Destiny (Louis Black/Karen Bernstein, 2016)

A couple of years back, critic-turned-director Gabe Klinger made a film called Double Play: James Benning and Richard Linklater. Instead of a traditional documentary tour of the respective filmographies of his director subjects, Klinger instead presented a series of extended chats between Linklater and his (perhaps unexpected) friend Benning, the latter being an older filmmaker better known to fans of the experimental and avant-garde. It allowed you to get a sense of Linklater’s ideas as an artist through more laidback means, rather befitting of the nature of his films, as he goes about doing various activities with Benning, such as hiking or playing catch, offering anecdotes to the other artist, instead of delivering filmmaking mantras to camera in an interview set-up.

Flash forward to 2016 and now we have Richard Linklater: Dream Is Destiny, a biographical portrait of Linklater alone that’s certainly much less innovative in terms of form, and ultimately feels less insightful. The personal connection isn’t lost, though. Dream Is Destiny is co-directed by Louis Black, a founder of the South By Southwest festival that has played host to many of Linklater’s films across his career. Occasional actor Black can also be found in Linklater’s breakthrough film Slacker, credited as Paranoid Paper Reader…

Full review for VODzilla.co

Advertisements

Avengers: Age of Ultron (Joss Whedon, 2015)

In Avengers: Age of Ultron, James Spader voices the eponymous villain, an entity of artificial intelligence that can inhabit seemingly any mechanical host around the world that it sees fit; break one body and you’ll just find him in an ever bigger one. Ultron is the superhero film embodiment of the ghost in the machine. Age of Ultron’s writer-director Joss Whedon, meanwhile, is the human in the too-often homogeneous Marvel machine, packing his second Avengers film with wit, pathos (as a result of characters’ palpable emotional vulnerability), and some actual thematic thrust regarding the concepts of invincibility, the transient state of human existence, and America’s knack for trying to prevent conflicts that haven’t even started with methods that doom people anyway. The symphony of destruction works because this blockbuster behemoth has an actual soul…

Full review for The Skinny