Tag Archives: Juliette Binoche

Non-Fiction (Olivier Assayas, 2018)

Arriving just before his new political thriller, Wasp Network, and just after his Kristen Stewart-led horror riff, Personal Shopper, Non-Fiction finds writer-director Olivier Assayas back in the witty ensemble story mode of earlier career highlights Summer Hours (2008) and Late August, Early September (1998), but merged with the industry satire of Irma Vep (1996). There, it was the film industry skewered with affection; here, it’s the world of novels. Non-Fiction’s original French title, Double Vies, translates to ‘double lives’, and the inherent narcissism found in concealing one’s infidelities while also profiting from them is of particular interest to the director…

Full review for VODzilla.co

Clouds of Sils Maria (Olivier Assayas, 2014)

Director Olivier Assayas has a penchant of late for companion piece films. His 2012 feature Something in the Air, a film loosely based on his own coming of age in an era of widespread disillusion, was concerned with youth rebellion in early 1970s France. He mined some similar territory beforehand in his 1994 effort Cold Water, however that film only alluded to the political concerns that Something in the Air puts closer to the forefront. Cold Water and Something share some character names, similar visual cues and thematic motifs. In a way, it’s as though Assayas is using the newer film to comment on the older one, and considering Cold Water’s own supposedly autobiographical elements, one can argue that Something works as an artist looking back on how he previously looked back on his past.

This elaborate self-reflexive approach is maintained for Assayas’ latest extraordinary film, Clouds of Sils Maria, which can be viewed as a companion piece to his 1996 work Irma Vep. Both concern a veteran actress coming to terms with their place in a cinematic landscape they find increasingly baffling, and each offers a unique meta-commentary on contemporary filmmaking. Clouds of Sils Maria takes some major swings at Hollywood’s current crop of samey sci-fi and fantasy franchises along with star stories told through social media and gossip sites…

Full review for Vague Visages

Camille Claudel 1915 (Bruno Dumont, 2013)

The contemporary king of grim French cinema, director Bruno Dumont’s latest, the stark Camille Claudel 1915, is based on personal letters and medical records regarding the lengthy institutionalisation of Camille Claudel (Binoche), the former sculptor who developed schizophrenia…

Full review for The Skinny

Godzilla (Gareth Edwards, 2014)

Gareth Edwards’ Godzilla revival is a beautifully directed, perfectly paced blockbuster that effortlessly veers between enormity and quieter, almost transcendental, moments. It inherits more than a trick or two from prime Spielberg and fully earns favourable comparisons to the likes of Jurassic Park and Close Encounters of the Third Kind in its balancing of awe-inspiring spectacle and the accompanying terror induced by its world-altering premise…

Full review for The Skinny