Tag Archives: Leigh Janiak

Fear Street: 1666 (Leigh Janiak, 2021)

In covering each entry in director Leigh Janiak’s interconnected Fear Street trilogy as they drop weekly on Netflix, it’s been relatively easy to be vague with plot details. That said, the fun and freaky final instalment, subtitled 1666, is near impossible to discuss without spoiling some threads left dangling from parts one and two. So, to paraphrase Fear Street author RL Stine’s better-known horror series, reader beware…

Full review for Little White Lies

Fear Street: 1978 (Leigh Janiak, 2021)

The 1994-set first part of Leigh Janiak’s RL Stine trilogy saw teenagers stalked by several undead mass murderers from their seemingly cursed town’s history. It established that these homicidal outbursts across 300-plus years were the work of suspected witch Sarah Fier, a woman killed in 1666, possessing unsuspecting Shadysiders every so often from beyond the grave, as a means of revenge against the town.

Extinguishing their specific nightmare problem in part one, the surviving characters were then left on a cliff-hanger when one of their own became Fier’s latest victim of possession. The second film’s framing device sees her friends turn to the only local who might believe them. C Berman (Gillian Jacobs, selling two decades of trauma in only a few scenes) is a scarred, nihilistic survivor of the ‘Camp Nightwing Massacre’ of 1978. In its immediate aftermath she spoke of Fier’s involvement, but no one would listen. Berman was said to have briefly died, before resuscitation, while her sister was among the slain…

Full review for Little White Lies

Fear Street: 1994 (Leigh Janiak, 2021)

Pre-global pandemic, a gamble was taken with a trilogy of gory films loosely based on YA-horror series Fear Street by RL Stine, all directed and co-written by Leigh Janiak. Twentieth Century Studios (née Fox) was originally set to distribute these three interconnected movies, each set in a different time period, in cinemas across three consecutive months in the summer of 2020.

With theatrical distribution disrupted that same year, production company Chernin Entertainment sold their experiment to Netflix, with the streaming giant now releasing the trilogy across three consecutive weeks. First up is the 1994-set film, directly inspired by that decade’s slasher genre revival, and it will be followed by trips to 1978 and 1666…

Full review for Little White Lies