Tag Archives: Little White Lies

Waru (Various, 2017)

In Māori, ‘waru’ means ‘eight’, and appropriately this anthology feature is directed by eight different Māori women. Comprised of eight single-take sequences following different Māori women on the morning of a tangi (funeral) for a young boy, also named Waru, every chapter starts with the timestamp of 9:59am, implying that each sequence is happening concurrently.

But this is not a case of following eight different parties who all just happen to be congregating at the same service. While some segments concern people on the ground at the tangi, including Waru’s two grandmothers, others come nowhere near it…

Full review for Little White Lies

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Shirkers (Sandi Tan, 2018)

From Jodorowsky’s Dune to a film about Tim Burton’s cancelled Superman, documentaries about movies that never got made have proved a popular prospect over recent years. Sandi Tan’s energetic Shirkers, ostensibly an entry in this subgenre, differs for a few reasons.

Firstly, it’s directed by the helmer of the original film it concerns, which shares the same name. Secondly, it’s about an independent Singapore-made film the world never got to see, rather than a Hollywood property. Finally, and most crucially, the original Shirkers was actually completed. The reason it was never released is because one strange individual involved in production stole all of the film’s materials once the 1992 shoot had wrapped…

Full review for Little White Lies

The sex work-positive horror written by a former camgirl

Acquired by Netflix after winning two awards at the 2018 Fantasia Festival, psychological horror Cam is one of the few films concerning sex work that’s written by a former sex worker. The film’s co-author, Isa Mazzei, had a camming career similar to that of the film’s protagonist for roughly two years –minus the supernatural happenings, we’re told…

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The 10 best films from the 2018 Locarno Film Festival

As an indication of its ever-growing stature on the international film festival circuit, the current artistic director of Switzerland’s Locarno Festival for many years, Carlo Chatrian, has been snapped up to help programme the bigger Berlin Film Festival from 2020. As such, the 71st edition of Locarno seemed to have a bittersweet quality for the talkative festival veterans, as things might be very different next year. Even so, 2018 lived up to expectations of the event as an exciting space for new arthouse fare and as a celebration of older cinema that takes more offbeat choices in terms of paying tribute. We were particularly touched by the inspired choice to give the honorary Vision Award to title sequence designer Kyle Cooper (Se7en, among many credits), and not just because it gave programmers an excuse to screen Sam Raimi’s first Spider-Man film from a 35mm print.

Our personal highlight was the wealth of delights in the festival’s extensive retrospective of American filmmaker Leo McCarey, particularly a screening of The Awful Truth (1937) that had a packed audience in hysterics. That said, the new films on offer were hardly lacking in quality. In an unranked order, here are nine premiering feature highlights, plus one short. We should mention we were sadly unable to catch Mariano Llinás’ 14-hour La Flor, perhaps the most publicised title in competition this year…

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Unicorn Store (Brie Larson, 2017)

Brie Larson’s feature-length directorial debut, Unicorn Store, centres on a grown woman and her pursuit of a pet unicorn, and if that short logline immediately sets alarm bells ringing in your head, this store is probably not worth visiting, even for a brief perusal of its goods. But for anyone left more curious than turned off, this portrait of the clash between childish things and adult pursuits has some merit, even if its wild veers in tone don’t always work…

Full review for Little White Lies

The Ciambra (Jonas Carpignano, 2017)

Director Jonas Carpignano broke through on the festival circuit in 2015 with Mediterranea, a tale of two refugees making their way from Africa to southern Italy. He returns to the latter environment with follow-up feature The Ciambra, an expansion of a 2014 short, which attempts to present a portrait of another marginalised group with a similar degree of verisimilitude: in this case, a small Romani community in the Italian region of Calabria…

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A new cult film festival is spotlighting forgotten cinematic gems

Cult film screenings at independent cinemas are fairly common, be it in the form of late night presentations of infamous gorefests or regular showings of established anti-classics like The Room with encouraged audience participation. Less common, and a far more enticing prospect, is a festival devoted to showcasing a diverse range of film that have slipped through the cracks of movie history – no pretending commercially successful John Hughes fare counts as ‘cult’ here…

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