Tag Archives: Nicole Kidman

The Northman (Robert Eggers, 2022)

With The Witch and The Lighthouse, writer-director Robert Eggers emerged as a distinctive voice in American independent film. They are surrealistic nightmares set in America of centuries past, in which small groups try surviving encroaching supernatural threats that may well be hallucinations encouraged by harsh surroundings. Their environments are brought to life with an exquisite sense of historical detail and period-accurate language.

In light of this, that Eggers’ third feature, The Northman, is a big studio-backed, sprawling Europe-set epic that can plausibly, and not inaccurately, be marketed as an action movie might raise red flags for those concerned his voice could be lost – budget-wise, it’s closer to a Morbius than The Witch. But praise the Norse gods, for not only is The Northman an exhilarating revenge saga that outdoes most modern blockbusters when it comes to action sequence staging and immersive sound design, but Eggers’ penchant for the strange remains fully intact…

Full review for SciFiNow

Tape Crusader: The Bizarre Brilliance of ‘Batman Forever’’s Soundtrack

In Spin magazine interview marking the 20th anniversary of his band’s 1995 album Clouds Taste Metallic, The Flaming Lips frontman Wayne Coyne was asked about their involvement with the soundtrack for Batman Forever, an album described by interviewer Dan Weiss as, “Even by ‘90s standards… one of the weirdest batches of artists.” Coyne – reportedly not a fan of the finished film itself, though he enjoyed his group’s aural appearance – had this to say:

“I think it set up a blueprint that you could really have an interesting soundtrack that really doesn’t have that much to do with the movie and people would accept it. It was just a record that had another branding that went with it. I thought that was really a cool move, that it didn’t always just have to be a group of popular artists doing something to promote the movie. It really was a weird mixtape collection that had a movie with it too.”

Wayne Coyne, The Flaming Lips

A packed film soundtrack of popular music wasn’t a concept born in the 1990s, nor is it something that’s completely died out since, but various factors have led to that decade being the peak ‘music from the motion picture’ era, and how Coyne describes the Batman Forever soundtrack is reflective of why. And in the year 2020, Batman Forever’s album stands out as one of its decade’s most emblematic musical artefacts for how it both followed trends and also bucked the system in a way that arguably influenced the construction of soundtracks going forward; Entertainment Weekly ran a non-review article the summer of release on the extent to which the soundtrack was an outlier among its field…

Full article for The Companion

The Beguiled (Sofia Coppola, 2017)

Thomas P. Cullinan’s 1966 Southern Gothic novel A Painted Devil was previously brought to the screen, under the title of The Beguiled, by director Don Siegel in 1971. An American Civil War-set tale of an injured union soldier taking refuge in a Virginian girls’ school, Siegel’s version was led by regular collaborator Clint Eastwood. For Sofia Coppola’s stab at the material, although Colin Farrell is top-billed as the stranger sowing seeds of mistrust, things are determinedly more female-focused…

Full review for VODzilla.co

Stoker (Park Chan-wook, 2013)

Stoker marks the English language debut of contemporary South Korean cinema poster child Park Chan-wook (OldboyThirst), and the film is full of the striking compositions and sweeping camera movements of his prior acclaimed work. Unfortunately, free of compelling, well-realised material to frame his style around, Stoker sees the director’s worst tendencies in full force; those of garish melodramatics and shallow showiness…

Full review for The Skinny