Intended as the director’s magnum opus, Orson Welles’ The Other Side of the Wind is one of the most famous films never to be completed. Or, at least it was.
Thanks to the efforts of various parties over the years (and a hefty cash injection from Netflix to get the existing footage out of rights limbo), a full version of the film – which tells the story of an ageing director struggling to revive his career – has finally been finished. After a wait of more than 40 years, it will be available on the streaming service from 2 November.
In conjunction, Netflix are releasing a feature-length documentary on the very same day, which covers the decade prior to Welles’ death in 1985. Titled They’ll Love Me When I’m Dead, it follows the late filmmaker as he struggles to get The Other Side of the Wind made…
Full interview for HUCK
Director, critic and curator Mark Cousins returns with essay feature The Eyes of Orson Welles, a documentary, divided into five chapters, that explores the legendary filmmaker through a subject that’s rarely come up in the multiple existing biographical portraits of the man: his paintings and sketches, many of which have never before been displayed for public consumption outside of this film.
Invited to his Edinburgh flat to see a few of Welles’ drawings up close, prior to a summer exhibition in the city, we spoke to Cousins about collaborating with Welles’ daughter, Beatrice, avoiding clichés about the filmmaker, inspiring documentaries, Donald Trump, and his thoughts on Netflix’s handling of Welles’ final film, which is set to premiere at the Venice Film Festival…
Full interview for VODzilla.co