Tag Archives: Our Ladies

Film, Filmmaker, Interviews

“I Feel Completely Vindicated Now the Film’s Been Made”: Michael Caton-Jones on Our Ladies’s 20+-Year Journey to the Screen

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Things were going well for Scottish filmmaker Michael Caton-Jones at the start of 2020. The director of Scandal (1989), This Boy’s Life (1993) and Rob Roy (1995), among many others, Caton-Jones was preparing for the theatrical release of Our Ladies, a passion project he’d been trying to get made for over 20 years. It had received its world premiere at the BFI London Film Festival in October 2019, where it “played out of this world”, in his words, to an audience of roughly 800 attendees in its first public screening. Flying relatively under the radar in a stacked program largely comprised of Cannes, TIFF and Venice titles, Our Ladies received strong early notices from big publications that did cover it from the festival, including a rave write-up from Sight & Sound and a five-star review from The Times. Following a Scottish premiere for the comedic drama at the Glasgow Film Festival in late February, the movie was scheduled for a saturation release at the end of April.

And then most of the world’s theaters closed indefinitely…

Full interview for Filmmaker

Film, Interviews, Little White Lies

Tallulah Greive: ‘Working-class women aren’t homogeneous’

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Having been delayed for almost two years by the pandemic, Michael Caton-Jones’ Our Ladies, adapted from Alan Warner’s 1998 novel ‘The Sopranos’, finally arrives in UK cinemas this month. Set in 1996, the film follows six 17-year-old Catholic schoolgirls from the Highlands who head to Edinburgh for a choir competition, only to get caught up in debauchery.

At the story’s centre are five working-class friends, alongside derided posh girl Kay (Eve Austin): there’s closeted group leader Fionnula (Abigail Lawrie), her childhood bestie Manda (Sally Messham), punk singer Kylah (Marli Siu), islander Chell (Rona Morison), and Orla, who is in recovery from leukemia and hoping the Lord’s Prayer will now help her lose her virginity. Orla, also the film’s narrator, is played by Australian-born, Edinburgh-raised actor Tallulah Greive in her first feature film credit…

Full interview for Little White Lies

Film, Little White Lies, Reviews

Our Ladies (Michael Caton-Jones, 2019)

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Let’s call Our Ladies one of the new great British teen movies. Its journey to the screen is even older than its riotous protagonists: director and co-writer Michael Caton-Jones first optioned the rights to Alan Warner’s 1998 novel The Sopranos over 20 years ago…

Full review for Little White Lies

BFI, Features, Film

10 great Scottish youth films

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From A Taste of Honey (1961) to Rocks (2019), British cinema has plenty to offer when it comes to films about the young and restless. But of all the nations of the UK, it’s arguably Scotland that has offered the most formal invention and thematic bite – regarding issues of class, wealth gaps and isolation – when it comes to cinematic tales of youth.

Some of Scotland’s greatest filmmakers – Lynne Ramsay and Bill Forsyth among them – got their start with films told from the point of view of troubled kids and gawky teenagers. Directors from further south in the UK, meanwhile, have made some of their best work when journeying north and drawing from young talent.

While the relatively small pool of Scottish teen films leans towards narratives set in or around Edinburgh and Glasgow, you rarely find one that’s indistinguishable from another thanks to the distinctive imprints of their directors. Delinquency is a common thread, but you’re not going to confuse Ken Loach’s Sweet Sixteen (2002) with Peter Mullan’s Neds (2010).

The feature debut of writer-director Ninian Doff, horror-comedy Get Duked! (2019), supported by the BFI Film Fund, sees 4 teenage boys on a highlands trek stalked by wealthy aristocrats hunting them for sport. Not just a foul-mouthed riff on The Most Dangerous Game (1932), the film also has much on its mind about class warfare and the bad hand dealt to Generation Z.

To mark its release on 28 August, exclusive to Amazon Prime Video, here are 10 of the best films about Scottish youth…

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Film, Interviews, NME

Introducing ‘Run’ star Marli Siu – Scotland’s brightest new acting talent

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Among the creative industries, the coronavirus pandemic has had a particularly big impact on movies and theatre, with cinemas and stages closed – and filming halted mid-production. For Scottish rising star Marli Siu, whose big screen debut was in cult horror musical Anna and the Apocalypse, there’s been an effect on multiple music-heavy projects.

Firstly, her indie film Run opened in March during growing uncertainty, lasting just five days before lockdown scuppered attendance (it’s out on digital this week). Inspired by the music of Bruce Springsteen and starring Game of Thrones’ Mark Stanley, the thrifty 76-minute drama follows an existentially frustrated father in the Scottish town of Fraserburgh, who swipes his son’s car for a late night drag race.

Later this year, Siu will also feature in Our Ladies, the long-awaited adaptation of Alan Warner’s beloved 1998 novel The Sopranos (no mafia connection), which had its planned multiplex release in April pushed back to September. The Derry Girls-ish film follows five riotous teenagers from the Highlands running wild in mid-’90s Edinburgh for an afternoon of debauchery. But before that, you’ll see her on the small screen in Prime Video’s new series Alex Rider, based on Anthony Horowitz’s bestselling spy novels and also starring national treasure Vicky McClure.

Basically, Marli’s got a lot going for her right now. So, we dropped her a line to find out why she’s suddenly such a big deal…

Full interview for NME

AnOther, Features, Film

Ten Movies From Glasgow Film Festival You’ll Want to Watch

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The 16th Glasgow Film Festival wrapped up this past weekend, and going by the state of arts event cancellations and delays in the wake of the global pandemic of Covid-19 – from SXSW to Coachella – it might be the only big British film festival for a while. Rather than solely offering a sneak peek at hyped titles due in the coming few months (though there were still plenty of those), this year’s programme was heavy on intriguing oddities currently without UK distribution in the pipeline. But going by the general quality, they’re sure to pop up in cinemas or on streaming services by year’s end. In no particular order, here are ten titles from GFF 2020 worth catching when you can…

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BFI, Features, Film

10 things to see at the Glasgow Film Festival 2020

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Glasgow Film Festival returns for its 16th edition in 2020, running from 26 February to 8 March. For the first time in GFF’s history, the opening and closing gala films are both directed by women filmmakers, with the closing night falling on International Women’s Day.

Based on Caitlin Moran’s semi-autobiographical novel, festival closer How to Build a Girl stars Booksmart’s Beanie Feldstein as a young working-class woman becoming a music critic. It’s to be the first theatrically released feature in more than 20 years from English director Coky Giedroyc (Stella Does Tricks), who has worked on recent TV favourites like The Hour and Harlots. French director Alice Winocour will open the festival with her latest, Proxima, in which Eva Green plays an astronaut and mother preparing for a year-long space mission.

On International Women’s Day, every film screened that day will be either directed or written by a woman or featuring a female lead. Women directors are also the subject of Mark Cousins’ 14-hour documentary Women Make Film: A New Road Movie through Cinema, which will be shown in five instalments. Overlooked gems from the past from directors Joan Micklin Silver, Larisa Shepitko, Euzhan Palcy and more will screen in support.

With nine world premieres, 10 European premieres, 102 UK premieres and 39 Scottish premieres to choose from, as well as retrospectives, talks and immersive events, choosing tickets wisely can be difficult. Here are 10 highlights from across this year’s bumper programme…

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