In the majority of post-apocalyptic stories, when there’s seemingly a lone survivor in the world, one of the major struggles the character tends to face is intense loneliness. I Think We’re Alone Now differs from most in the genre in that its lead is content in their solitude. When it turns out more of humanity’s survived than they thought, it’s actually an inconvenience…
Tag Archives: Paul Giamatti
Straight Outta Compton (F. Gary Gray, 2015)
The problem with most biographical dramas, particularly those concerning musicians, is that they can often play like greatest hits samplers rather than a cohesive, insightful character study. Some of the best music biopics are those that take a formally interesting approach that feels akin to the spirit of the artist/s in question, rather than trying to box their persona into a rigid formula; Todd Haynes’ I’m Not There is one example, as is the recent Love & Mercy, which offers a dual performance to depict two decades in the life of subject Brian Wilson, but also sonically innovative soundscapes to convey the troubled genius’ artistic process.
This is not to say that the traditional music biopic formula is of inherently dubious quality. As with any genre, execution is key. Straight Outta Compton, a portrait of N.W.A (though mainly members Ice Cube, Dr. Dre and Eazy-E) from director F. Gary Gray, is one such example of the formula done very well. Or, at least, up to a point…
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