Tag Archives: Riley Keough

Earthquake Bird (Wash Westmoreland, 2019)

A few minutes into Earthquake Bird, Alicia Vikander’s Lucy Fly is shown translating an English-language film into Japanese for what we soon learn has been her job in Tokyo for a number of years. The film in question is Black Rain, Ridley Scott’s cross-cultural action movie in which Michael Douglas and Andy Garcia play New York City cops escorting a Yakuza member back to Japan for extradition.

It’s a cute nod given that Scott Free Productions is one of the companies behind this Netflix-distributed film, and that Black Rain opened in 1989, the year in which Earthquake Bird is set. But the reference ends up backfiring. While the general consensus on Scott’s film remains largely negative, not least due to its use of Asian stereotypes, many of its detractors have nonetheless pointed to the director’s stylistic excesses as a positive. By contrast, Wash Westmoreland’s adaptation of Susanna Jones’ 2001 novel is a pedestrian thriller lacking any zest or flair…

Full review for Little White Lies

The Discovery (Charlie McDowell, 2017)

Off the back of his generally well-received feature debut, 2014’s The One I Love, writer-director Charlie McDowell obtained full support from Netflix for his follow-up film. The Discovery (co-written with Justin Lader) is similarly concerned with sci-fi flirtations for a high-concept premise, although the tonal register is much less preppy than The One I Love, which was infused with a comedic streak alongside its darker explorations. The Discovery is dour for almost all of its running time, and the disappointing thing to, er, discover by its end is that it’s not really worth trudging through…

Full review for VODzilla.co

Mad Max: Fury Road (George Miller, 2015)

In a cinematic landscape where every movie series of notable mainstream or cult popularity is being resurrected instead of left for dead, one figure has emerged as a shining light amid the darkness of Ridley Scott reboots and kingdoms of crystal skulls. His name is George Miller, his character is Mad Max, and his world is fire and blood…

Full review for The Skinny