Time has been kind to Josie and the Pussycats. Long before the fictional rock band featured in TV’s Riverdale, their Archie Comics source material was brought to the big screen in 2001. Writer-director duo Harry Elfont and Deborah Kaplan (Can’t Hardly Wait) were at the helm, with Rachael Leigh Cook, Rosario Dawson and Tara Reid cast as band members Josie, Valerie and Melody, respectively, and the glorious scenery-chewing pair of Parker Posey and Alan Cumming as antagonists. But there was a twist.
While operating perfectly well as a sincerely heartfelt tale of friendship in the face of growing fame, the film is also a feature-length jab at the industries behind its existence, skewering consumerism, subliminal advertising, and the very notion of adapting a comic into a movie. Josie is an indelible early 2001 time capsule, but it also feels of a piece with the later meta stylings of Phil Lord and Chris Miller, whose 21 Jump Street and The LEGO Movie also walk a fine line between enthusiastic adaptation of an intellectual property and more cynically questioning their very existence. Comparing it to closer contemporaries, it’s something like Spice World meets Zoolander…
Full feature for Dazed
In a Spin magazine interview marking the 20th anniversary of his band’s 1995 album Clouds Taste Metallic, The Flaming Lips frontman Wayne Coyne was asked about their involvement with the soundtrack for Batman Forever, an album described by interviewer Dan Weiss as, “Even by ‘90s standards… one of the weirdest batches of artists.” Coyne – reportedly not a fan of the finished film itself, though he enjoyed his group’s aural appearance – had this to say:
“I think it set up a blueprint that you could really have an interesting soundtrack that really doesn’t have that much to do with the movie and people would accept it. It was just a record that had another branding that went with it. I thought that was really a cool move, that it didn’t always just have to be a group of popular artists doing something to promote the movie. It really was a weird mixtape collection that had a movie with it too.”Wayne Coyne, The Flaming Lips
A packed film soundtrack of popular music wasn’t a concept born in the 1990s, nor is it something that’s completely died out since, but various factors have led to that decade being the peak ‘music from the motion picture’ era, and how Coyne describes the Batman Forever soundtrack is reflective of why. And in the year 2020, Batman Forever’s album stands out as one of its decade’s most emblematic musical artefacts for how it both followed trends and also bucked the system in a way that arguably influenced the construction of soundtracks going forward; Entertainment Weekly ran a non-review article the summer of release on the extent to which the soundtrack was an outlier among its field…
Full article for The Companion
With Nick Broomfield’s documentary Marianne & Leonard: Words of Love, an in-depth look at the relationship between Leonard Cohen and muse Marianne Ihlen, playing at the Edinburgh International Film Festival this month and on general release in July, we thought it an appropriate time to highlight some of our favourite Cohen needle drops in cinema.
Whether with his own voice or through cover versions, many films and TV shows have made stirring use of Cohen’s music, though there is no instance in which the songs in question were written with the intention of featuring in that movie or episode.
For inclusion in the small selection below, we’ve stuck to the following criteria: feature films only, one entry per song, and Cohen recordings only, not covers of his work…
Full feature for The Skinny