Tag Archives: The Sweet Hereafter

Atom Egoyan: How we made ‘Exotica’ – 25th anniversary

Misleadingly marketed as an erotic thriller by Miramax, Exotica proved a notable box-office success for a Canadian film when it was released a quarter of a century ago. It was a commercial breakthrough for its Cairo-born writer-director Atom Egoyan, following well-regarded arthouse titles such as Speaking Parts (1989) and The Adjuster (1991). Nominated for the Palme d’Or at Cannes and recipient of eight Genie awards (Canada’s equivalent of the Oscars), Egoyan’s film remains one of Canadian cinema’s most enduring and influential titles, and – along with The Sweet Hereafter (1997) – the director’s most highly regarded feature.

Set primarily around the fictional Exotica strip club in Toronto, the non-linear narrative – in which Egoyan withholds many of the specifics of characters’ relationships until the very end – concerns the intertwining lives of Francis (Bruce Greenwood), a tax auditor; Christina (Mia Kirshner), a young dancer; Eric (Elias Koteas), the club’s DJ; Thomas (Don McKellar), a pet shop owner; and Zoe (Arsinée Khanjian), the club’s pregnant owner.

Exotica is largely about loss, mourning and the effects they have on human connections; how people’s attempts to cope with extreme, often concealed grief manifest in outwardly disturbing personal rituals. The final scenes are among the most emotionally cathartic of 1990s cinema, drastically reconfiguring your understanding of previous events, while also opening up many unsettling questions. Far from a shallow puzzle narrative, the film’s power only grows with repeat viewings.

With 2019 marking the film’s 25th anniversary, I spoke to Atom Egoyan about Exotica’s production and legacy while he was at this year’s BFI London Film Festival to give a career talk and support his new film, Guest of Honour. Our conversation spoils one narrative reveal from Exotica’s finale…

Full interview for the BFI

The Place Beyond the Mines: Writer-director Sara Colangelo on ‘Little Accidents’

This piece was originally published at Sound On Sight, which is no longer active. The below is an edit from 7 May 2018.

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The feature debut of writer-director Sara Colangelo, Little Accidents is an intense small-town drama that premiered to positive notices at the 2014 instalment of the Sundance Film Festival, and is now seeing a release one year on. Starring Elizabeth Banks, Boyd Holbrook, Jacob Lofland, Josh Lucas and Chloë Sevigny, it concerns several players in a town recently devastated by a fatal mining accident. There’s Amos (Holbrook), the sole survivor of the accident that killed ten of his colleagues; Owen (Lofland), whose father was one of those who perished; Bill (Lucas), a mining company executive whose role in the accident has made his family a target of contempt for the town’s anger and sorrow; and Diane (Banks), Bill’s mostly housebound wife, who finds herself drifting away from her partner, and not just because their teenage son has gone missing.

In the week leading up to the film’s debut in American cinemas, Colangelo was kind enough to speak to Sound On Sight about the story’s roots, her cinematic inspirations and intentions, and her experience with the Sundance Institute’s famed Screenwriters and Directors Labs. Continue reading The Place Beyond the Mines: Writer-director Sara Colangelo on ‘Little Accidents’